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literature

spleenfiend's picture

genre lines: never rigid

The evolutionary model is often mentioned in the context of the evolution of genre.  As I read Owens' essay, I was reminded of something I read about evolution itself - that humans only see themselves as a drastically different species because all the intermediate species between humans and monkeys are extinct.  When considering every species that has ever existed, classification is much more difficult because things that seem very defined start to run into each other.  Humans have to search for patterns over long periods of time and then categorize them. 

jrlewis's picture

Beyond the Nature of Genre

In their essays, both Owen and Dimock present persuasive arguments for the malleable, pliable nature of genre.  The implications of this conception are taken up by Jeanette Winterson.  She argues that the norms associated with genre facilitate greater creativity by authors.  Referring to both Orlando and Autobiography of Alice B. Toklas, she writes that in “either case there is an immediate challenge to genre-boxing but there is to, an invitation to believe.  To accept what will follow as truth and as the kind of truth only possible between people who know each other well… We can be taken in by someone who offers truth with a wink and says ‘I’m telling you stories. Trust me.” 

James Family 2010 - Final Papers

This is the last set of web papers to emerge from “House of Wits”: The Intersecting Wor(l)ds  of Alice, Henry and William James, a new course being offered @ Bryn Mawr College in Spring 2010. At the end of semester, students are thinking out loud here about the contemporary implications of the work of the James family. What roles are they now playing in our culture, and in our lives?

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way the James family portrayed the world?

 

James Family 2010 - Web Paper 3

This is the third set of web papers to emerge from

“House of Wits”: The Intersecting Wor(l)ds  of Alice, Henry and William James, a new course being offered @ Bryn Mawr College in Spring 2010. Three months into the course, students are thinking out loud here about the relationship of William James to a range of other thinkers, writers and artists.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way the James family portrayed the world?

 

James Family 2010 - Web Paper 2

These are the second set of web papers to emerge from “House of Wits”: The Intersecting Wor(l)ds  of Alice, Henry and William James, a new course being offered @ Bryn Mawr College in Spring 2010. Two months into the course, students are thinking out loud here about the relationship of Henry James to a range of other thinkers, writers and artists.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way the James family portrayed the world?

 

James Family 2010- Web Paper 1

These are the first web papers to emerge from “House of Wits”: The Intersecting Wor(l)ds  of Alice, Henry and William James, a new course being offered @ Bryn Mawr College in Spring 2010. One month into the course, students are thinking out loud here about the relationship of Alice James to a range of other thinkers, writers and artists.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way the James family portrayed the world?

 

Genres 2010 - Final Papers

This is the final set of webpapers for a course on Literary Kinds: Thinking Through Genre, a course offered @ Bryn Mawr College in Spring 2010. 

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way literature, and literary theory, portrays the world?

 

Genres 2010 - Web Paper 3

This is the third set of webpapers to emerge from Literary Kinds: Thinking Through Genres, a course about category-making and category-breaking offered at Bryn Mawr College in Spring 2010. Three months into the semester, students are exploring here the questions they have been mulling over since they left Alice in Wonderland: there are essays here about the genre of the graphic narrative, of film, of framed stories, of sequels...

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way literature, and literary theory, portrays the world?

 

Genres 2010 - Web Paper 2

This is the second set of webpapers to emerge from Literary Kinds: Thinking Through Genre, a course about category-making offered at Bryn Mawr College in Spring 2010. Two months into the semester, students are exploring here the questions that have arisen for them since they last wrote; you'll find essays here about the digital humanities, syllabus construction, the genre we call "parody," and the particular imaginative test case we call Alice in Wonderland.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the way old and new forms of literature, and literary theory, portray the world?

 

Genres 2010 - Web Paper 1

These are the first webpapers to emerge from Literary Kinds: Thinking Through Genres, a course about category-making offered at Bryn Mawr College in Spring 2010. One month into the semester, students are exploring here the questions that have arisen for them around the emerging literary "kind" that we know as blogs, or about what difference the internet is making, more generally, in our work as intellectuals.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, others in the class, or those who--exploring the internet--might be in search of thoughtful conversation about how we are making sense of the world in which we find ourselves?

 

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