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Eco-Literacy 2014

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Anne Dalke's picture

Welcome to the on-line conversation for Eco-Literacy, a 360°
cluster being offered @ Bryn Mawr College in Spring 2014.

POST YOUR THOUGHTS HERE
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dross's picture

Econ 136: Week 5 Tasks

ECON 136:  Week 5 Tasks 

Monday:  Catch Up Class

I worry that we’ve been pressing too much.   I want a chance to address any technical glitches you’ve run into in working with your preferred spreadsheet, drawing and word processing software.   I want to finish talking about the gains from voluntary exchange and I want to get your thoughts about the economic way of inducing cooperative resource allocation. 

Preparing for class:

Review your notes, make progress on Opportunity Cost paper  due Wednesday night.

Wednesday:  Demand and Surplus         

            Preparing for Class

            Read Taylor Ch. 8, pp. 154-158

            Read Taylor Ch. 4, pp.  59-64, 81-82

Before you retire Tuesday night (or by 3am  Wednesday)

            Complete the Demand and Surplus problem set in Sapling Learning 

By Wednesday night (or 3am Thursday), save your Opportunity Cost Memo (assignment attached) to your class Dropbox folder 

Friday:    Supply, profit and rent 

sara.gladwin's picture

To his Coy Mistress by Andrew Marvell

I wanted to post the poem that Le Guin references in case anyone had any interest in reading it! I copied it from this site: http://www.luminarium.org/sevenlit/marvell/coy.htm

To his Coy Mistress

by Andrew Marvell

sara.gladwin's picture

Imagination in Urban Wildscapes

Simona's picture

On the idea of interconnectedness and representation

This isn't directly connected to any class assignment-- but I thought this TED talk was super interesting, considering our recent discussions about interconnectedness and nature/society/world, and considering our artistic approaches to representing the environment. Many of us seemed to photograph the ice at Tinicum, and this is one artists approach!

See video
Lisa Marie's picture

Industrial Ruins & Assumptions

When reading Chapter 4 of Urban Wildscapes, I kept reflecting on my own childhood and how I was socialized in an environment that mostly restricted play in the industrial ruins. Even when reading about the industrial ruins, I was thinking about the picture I had of what that looked like and how for much of my life, playing or even spending time in that type of space did not seem appealing as they "allow wide scope for activities prohibited or frowned upon in other urban public spaces" (66). However, as I was thinking more deeply about this, I recalled how as children, my brother and I played in a construction site behind our back yard that was composed of many mounds of dirt, some foundations, loose nails--it was certainly an unregulated space and could be charactierized as an industrial ruin. David and I created a make believe town which we invited our other neighbors to play in. We claimed this space as our own and together all of us played games and took on roles and characters of townspeople in this place. While this construction site was not as clean, colorful, regulated, and supervised as the park a few blocks from our house, it did allow us to put more of our own stamp on how we navigated and managed the space, as well as how we were able to use our imaginations. 

Sophia Weinstein's picture

Fibonacci in Nature

I meant to post this the other week when we were talking about fibonacci in nature. Enjoy :)

Student 24's picture

Childhood Classics and Clues

What is striking about Katy Mugford’s chapter, “Nature, nurture; danger, adventure; junkyard paradise” is the four photos of children all in front of different landscapes. And they all have very grim expressions and the same awkward, unenthusiastic, reluctant postures.

This reminds of me of parents taking photographs of their children when on trips to various places, with the classic reluctant child pose. Why do we like taking family photos when we travel to new places, monuments, historic sites, etc.?

There are already countless of photographs and documentations — both professional and amateur — of the Eiffel Tower or the Capitol building or the Rocky Mountains, and yet we still take our own because they are not as meaningful as when they include a familiar, non-stranger person. When we know the subject, or we are ourselves the subject, of a photograph in any landscape, we are capturing ourselves inserted in that landscape. Printed out on a flat surface, that photo physically levels out the degrees to which we may be separated from the landscape. We become part of the landscape.

My family has countless photographs as well, of our own trips. I owe so much to my parents for giving me the lifestyle and platform that allow me to create a relationship with the many environments I’ve experienced. However, I don’t know if I’ve consciously gone about relating the books I read in my childhood with the way I learned about my ‘setting,’ my environment in the close world around me.

aphorisnt's picture

Thinking About the Improbability of Place

In all this talk about place and placelessness and belonging and home and porosity and everything, I remembered an idea I heard a few years ago in a Vlog Brothers video: the improbability of place. The video (which I'll include here if anyone wants to watch it) does a much better job explaining this concept that I probably could, but the idea more or less boils down to just how amazing it is that things are where they are and how they are and what and when. We condsider all these places when we talk about home–Bryn Mawr, Houston, Oregon, Madison, Chicago, Istanbul–but we never stop to think about how these places came to be and how amazing it is that they exist at all. The United States, for example, exists because a group of settlers formed an army and defeated the British, and ruthlessly laid claim to this entire swath of land, and came out on the winning side of both World Wars and the Cold War. But the US also exists because one explorer went the wrong way trying to find India and landed at a continent that existed where it did due to the motion of techtonic plates and the breaking up of Pangea, but only after the infamous Big Bang created that which is the Milky Way galaxy and our solar system in the first place. And if one takes the time to think about all of these events, and the billions of others not mentioned but of equal importance, that conspired to create any of the places we call "home" in the first place, claiming a city or a state or a two-story structure in suburbia as "home" seems rather arbitrary and shortsighted.

See video
aphorisnt's picture

Running Wild

When I was little I loved climbing. I frequently put on a rather perfect impression of a mountain goat and, at the rocky outcroppings of the lake near my dentist's office, would jump from boulder to boulder, summiting each in turn to spend a brief moment standing on top and surveying the land around that to my three-year-old eyes possessed a sense of majesty.

At ten I still played at the park, running throughout aluminum and plastic playground structures sunk in to sandboxes. However I never let myself be limited by the parts of the play equipment and their "suggested use." I would climb on top of the monkey bars and crawl across them like a bridge. I would sit on top of the tunnel instead of crawling through it and slide down the seven or eight foot drop to the sandbox below. I would climb on top of railings and roofs and climb backwards up the slide.

One memory that really sticks with me, though, is from a trip to Yosemite at age thirteen. I was a teenager and of course thought I knew everything, and was very sure of my own limits. I wanted to climb Half Dome. It had been a dream of mine for years, since that three-year-old hopped between rocks and that ten-year-old abused the jungle gym at the neighborhood park. Unfortunately, my mom did not agree. I hiked and climbed whatever I could, but Half Dome is still a far off dream for me, something I'll have to do in adulthood (given I manage the funds to travel to California on my own).

Hummingbird's picture

This Week's Work: Feb. 7th – Feb. 14th

dross's picture

Econ 136: Week 4 Tasks

ECON 136:  Week 4 Tasks

Monday:  Choice & Opportunity Cost

Preparing for class:

In Sapling Learning, read Taylor, Ch. 2, pp. 15-18 and 26-33 

If so inclined, you might think about how to draw a budget line or a production possibility frontier in your word processor, spreadsheet or drawing program.

Before you retire Sunday night (or by 3am  Monday)

            Complete the Choice and Opportunity Cost problem set in Sapling Learning

 

Wednesday:  On the Gains from Voluntary Exchange

            Preparing for Class

            In Sapling Learning, read

                        Taylor Ch. 3, pp. 39-52; and

Taylor Chapter 8 Appendix, pp. 689-696 (It appears as A8 toward the very end of all the Taylor Chapters)

Think about how you might use indifference curves and PPF diagrams to illustrate an explanation of the gains from trade

Student 24's picture

Ghost Town

Here are the lyrics to the song I wrote for the creative project:

Ghost Town

Oh, can you take me to your ghost town
Where no one’s winter is a May crown

I ask, but even if it were true
you can’t have it belong to you

I heard the song of a canary
its feathered wings coated with coal dust

and still it sang with proof and pudding,
There’s no place else to go.

I found a minimal connection
within a mineral correction

to be compatible with wildlife,
don’t let’s be guides who make ourselves at home and
draw maps on the earth
of what parts of the earth
will go where on the earth
and for whom on the earth,

are we ruling with a May crown?

How do I illustrate one landscape different from the rest,
when they all begin with the end of my nose
and end with the gaps in my tongue?

Blotchy sky and tangled structure
the terminology of rupture

the solid stars on trees of sweet gum
have heavy wood but soulless bodies

a colony of great blue herons,
they err on ivy made of poison, impoundment

oh can you take me to your ghost town
where no one’s winter is a May crown

a crack in the stream’s ice; but I only sadden because of the excavating machine behind it, which is only guilty by juxtaposition, so I apologize.

Student 24's picture

Sidewalks, Sailors, and Slimy Leaves

I begin this paper with with a brief walk-through of my places of origin. The where-I-am-from’s. They are like stepping stones. Or building blocks. By contemplating this list I am browsing through my memories to find the right ‘slice’ about which to write this essay. I find that thought process is worth paying attention to in order to observe what triggers your mind to go in what direction, especially when searching through past experiences and emotions.

Gliwice, Poland
Houston, Texas, USA
Richmond, Virginia, USA
Georgetown, Washington DC, USA
Dupont Circle, Washington DC, USA
Nairobi, Kenya
Istanbul, Turkey
Bryn Mawr, Pennsylvania, USA

Jenna Myers's picture

The Ecological Thought Comments

After reading The Ecological Thought by Timothy Morton I was focusing in on when he discussed nature and art as well as the idea of coexistence. At the beginning he says “Ecological thinking is to do with art, philosophy, literature, music and culture…Ecology includes all the ways we imagine we live together. Ecology is profoundly about coexistence” (4). I completely agree with his statement because nature can be found in all different aspects of life especially when it comes to thinking of objects at natural instead of man-made. On page 8 he goes into talking about residents not wanting solar panels because they don’t look natural or wind turbines will spoil the view. Renewable energy is something I’ve recently been passionate about and in my opinion I believe that incorporating solar panels and wind turbines into our environment is beautiful and is natural. The point of using solar panels and wind turbines is by harnessing Earths natural resources, which should be seen as beautiful. 

Kelsey's picture

The Ecological Thought

I like and agree with much of what Timothy Morton wrote in the excerpt of "The Ecological Thought" that we read, but I can't completely agree with his statement that "Fixation on place impedes a truly ecological view."  I can easily agree with one possible meaning of his argument, that we need to stop focusing just on the areas that we consider home, that we must be concerned with the world beyond ourselves.  However, when Morton writes that ecology has to do "with race, class, and gender... with sexuality...", acknowledging both the importance of people in ecological thought and the importance of acknowledging systems of oppression, I don't think that place can be separated from that.  Place plays an integral role in affecting privilege and marginalization, in determining who experiences the effects of environmental degredation and who doesn't (as Eli Clare and bell hooks made quite clear in their writings).  Growing up in a surburban, white, upper middle class neighborhood, I have been continually privileged and shielded from the effects of global climate change and other ecological threats.  For me, because of the place I come from, environmental justice has always been abstract- not a matter of life or death.  Therefore, when Morton lists the identities and marginalizations that matter to ecology, when he says that ecology has to do with "ideas of self", I don't know how he cannot include place in that list.

Sophia Weinstein's picture

"Nature"?

"Ecology equals living minus Nature, plus consciousness." This is the first sentence of Morton's last paragraph in his introduction to The Ecological Thought. I start here because I am unsure if I understand what this means. He capitalizes Nature, and says that nature is "like a reflection, we can never actually reach it and touch it and belong to it". How is nature separate from ecology? Isn't our search for "Nature" a driving force in our modern consciousness, living, and thought that define ecology? Our fascination with Nature connects our society to issues of the environment and our impact on it. How does one subtract nature from life and from consciousness? Perhaps my definition of nature is different from his meaning of Nature. He says that "what we call 'nature' is a 'denatured', unnatural, uncanny sequence of mutations and catastrophic events". But isn't this ideal and unattainable concept of Nature something that defines us as humans and defines our interactions with the environment? I suppose I am getting caught up in a definition. Perhaps the "artificial construct" of Nature is a counterthought to ecology?

jo's picture

maybe everyone is right?

As much as I loved bell hooks' way of thinking about home and culture of belonging, it was somewhat comforting to see that people like Morton do not necessarily agree with that view of home/place - and it was also very confusing. For while I haven't experienced a culture of belonging first-hand, I want to believe such a thing is possible, and attainable for me. And at the same time, I am conscious of the very legitimate points made by Martin and Mohanty, who (from what I could gather from their complex language and sentence structures) argue that any community of sameness and comfort inherently shuts out others and makes oppression possible. Which sucks (to put it more bluntly). I can only assume that more oppression (akin to the Ku Klux Klan) is the last thing bell hooks would want, so how can I reconcile both of these ideas? And how does Morton's fit in, his criticism of "fixation on a place"? Maybe all that matters (to me) is how each of these arguments fits into my own understanding of home, place, and community as these things relate to environmentalism/social justice. For example, a community that is actively working to fight oppression might, on the way, exclude some voices, but if they are working hard to be anti-opressive (which, honestly many enviro-justice communities aren't, or think they are but get criticized for not doing enough) and simultaneously trying to end oppression of certain groups of people and/or the environment, maybe that's ok.

aphorisnt's picture

Robot Love Can Save the World

Morton had me at Wall•E. That right there was and remains to this day one of my favorite Pixar movies (though I still love you, Toy Story and The Incredibles) if only for the ecological message. It fascinated me that this movie, which contained almost zero dialogue except for the ubiquitous John Ratzenberger, a Hal-like sentient steering wheel, and an old tape of Hello, Dolly could explain to the masses the importance of an ecological conscience much more easily and accessibly than any explanation I had ever offered. I had tried to tell people for years to pay attention to what people have done and continue to do to the planet, gave examples of contemporary disasters, and pointed out the consequences social, political, and enconomic that such degradation has engendered, but most often I was met with condescencion, blank stares, and sometimes outright hostility. Most Texans, I discovered, don't take kindly to someone telling them why their gas guzzling pickup truck might be a bad thing for the planet.

pbernal's picture

Coexistence

Like Morton, I too think that the ecological thought is more than just taking the scientific stand and that it's more than just global warming, recycling, and solar power. To be environmentally aware is to take everything in our sorroundings into effect. Not only the ecosytem and our connection with the living and non living aspects of it, but also the relationships we build, the art, and awareness. I don't think an environmentalist should take offense or feel at all like we're degrading the meaning or importance of the term "environment". If anything, they should agree with what Timothy says, "Ecology includes all the ways we imagine how we live together." Nature exists in all different types of ways and humans are not going anywhere for a long time. Rather than creating boundaries and making everything seem like it belongs in a certain category, we should push for coexistence. 

Lisa Marie's picture

Reflections on The Ecological Thought

Reading Morton's introduction to his text "The Ecological Thought", I was especially struck by the fact that he kept referring to this way of thinking as "Dark Ecology" or an infection or virus that ultimately " affects all aspects of life, culture, and society" (11). Morton also mentions that "a truly ecological reading practice would think the environment beyond rigid conceptual categories--it would include as much as possible of the radical openness of the ecological thought" (11). I believe this relates to what he says on later in the text--"Fixation on place impedes a truly ecological view" (26). It is important to cosider the fact the ecological thought is all encompassing of different areas of thinking as well as interactions between people and between people and their environment. Reading this text reminded me of a comment that Michael made in Camden "the environment is all around us". How can we get people to care about holding a truly ecological thought and taking care of the environment when it is "not in their backyard?" One quote by Abraham Joshua Heschel that has always resonated with me is that "few are quilty, but all are responsible". Perhaps, having more people acknowledge the ecological thought will get them to understand the role they have in protecting the environment.