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jrf's picture

intellectual property & where do we go from here - 2/25 class summary

We began with some questions that were posted online for Nicole and Jen:
Did either of them feel any worry about posting their work on the internet, where future employers could find it?
Nicole didn't feel much concern but wondered if she should, mentioning her middle-school Myspace that's still online; Jen plans to work in the digital humanities, and so feels it's great for her to have an online presence. Nicole adds that most people's names are all over the Internet in places they didn't put it on purpose (Bi-Co articles, etc.).

Shayna S's picture

Science Fiction and the Multi-Genreverse of Doom

 

science fiction

This is not just about Star Wars, Dune, or exploding spaceships. This is not just about scantily-clad princesses in high-tech towers, Captain Kirk, or the robot apocalypse. Science-fiction is a genre that encompasses almost every other genre there is. It crosses mediums: television, radio, video games, books, graphic novels, comics, movies... It can be about the future or the past, our humanity or lack-there-of, or the comedy or drama or dramatic comedy of our lives. 

Paul Grobstein's picture

Cultures of ability

"Culture as Disability," a 1995 essay by Ray McDermott and Hervé Varenne has been on my mind for more than a decade.  In it, McDermott and Varenne argue compellingly (for me at least) that human cultures have interrelated bright and dark sides.  By promulgating stories about what individuals in a given culture should aspire to, cultures provide individuals with a sense of motivation and achievement,  The same stories, however, also "disable" other individuals, by setting standards of achievement which they, for one reason or another, can't adequately satisfy.
 

Paul Grobstein's picture

On beyond a critical stance

Out beyond ideas of wrongdoing and rightdoing, there is a field.  I will meet you there ... Jelaluddin Rumi

jrf's picture

Discomfort with in-betweens

In thinking more about and sharing the images we read in class on Tuesday, I found that the in-between nature of the images seemed to cause discomfort to me and others. Why should the existence of in-between objects elicit disgust? Similarly, our readings mentioned historical attempts by Westerners to either make other cultures' literary works fit into Western genres or establish those other cultures as deficient for not matching the Western pattern closely. Why is maintaining the open mind to the evolution of genre that Dimock and Owen call for so difficult? Do we need computers to do this for us?

Neurobiology and Behavior, Spring, 2010, Home Page

Welcome to the home page of Biology 202 at Bryn Mawr College. Pleased to have you here. I'm looking forward to an interesting,enjoyable, productive semester of "getting it less wrong", and hope you are too. Let's have some fun, and see what we can all make out of it together.

 

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