Critical Feminist Studies course

I. Get up, introduce yourself to someone you don't know,
and tell each other where (one branch of) your family (tree) came from

Any interesting tales?

Notes for Day 2 of Critical Feminist Studies

Woman's Education, Professionalization...and War-Making?
Reading Virginia Woolf's 1938 essays, Three Guineas

Critical Feminist Studies: An Introduction

Day One: Welcome to the Dinner Party!

  Notes for Day 1 of Critical Feminist Studies

Schedule for Summarizing Class Discussions of Emerging Genres

Week 2 (Jan 29-31): Claire

Week 3 (Feb. 5-7): Louisa

Week 4 (Feb. 12-14): Alex

Week 5 (Feb. 19-21): Christina

Week 6 (Feb. 26-28): Hannah

Week 7 (Mar. 4-6): Al

BREAK

Week 8 (Mar. 18-20): Jessy

Week 9 (Mar. 25-27): Ellen

Week 10 (Apr. 1-3): Marina

Week 11 (Apr. 8-10): Rebecca

Week 12 (Apr. 15-17): Ingrid

Week 13 (Apr. 22-24): Megan

Performances Continue:
Negotiating the Fissures

December 13, 2007



Doris Salcedo’s “Shibboleth,” concerning “the divisions between

"Inherit the Wind," or
Feminists Playing

December 11, 2007

A "non-traditional" course in both content and format ... and so needing feedback for continuing evolution

How significant did you find the course for your education generally? Give a number, from 0 (not at all significant) to 10 (very significant), and provide any additional comments you think would be helpful.




How significant did you find the course for your understanding of feminism and of literature? Give a number, from 0 (not at all significant) to 10 (very significant) for each, and provide any additional comments that you think would be helpful.

Critical Feminist Studies Bryn Mawr College Fall 2007 Anne Dalke (English House, ext. 5308, adalke@brynmawr.edu) Instructions for Preparing your Final Portfolio