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Walled Women

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Anne Dalke's picture


POST YOUR THOUGHTS HERE

Welcome to the on-line conversation for Women in Walled Communities, a cluster of three courses in a new 360° @ Bryn Mawr College that focuses on the constraints and agency of individual actors in the institutional settings of women's colleges and prisons.

This is an interestingly different kind of place for writing, and may take some getting used to. The first thing to keep in mind is that it's not a site for "formal writing" or "finished thoughts." It's a place for thoughts-in-progress, for what you're thinking (whether you know it or not) on your way to what you think next. Imagine that you're just talking to some people you've met. This is a "conversation" place, a place to find out what you're thinking yourself, and what other people are thinking. The idea here is that your "thoughts in progress" can help others with their thinking, and theirs can help you with yours.

Who are you writing for? Primarily for yourself, and for others in our cluster. But also for the world. This is a "public" forum, so people anywhere on the web might look in. You're writing for yourself, for others in the class, AND for others you might or might not know. So, your thoughts in progress can contribute to the thoughts in progress of LOTS of people. The web is giving increasing reality to the idea that there can actually evolve a world community, and you're part of helping to bring that about. We're glad to have you along, and hope you come to both enjoy and value our shared explorations.  Feel free to comment on any post below, or to POST YOUR THOUGHTS HERE.


Sasha De La Cruz's picture

Paper 2

As I re-read the prompt for this paper (which was about a thousand times), I still have trouble understanding it and even coming up with an answer. Ever since we started class, I have been having trouble visualizing silence. I understand it to be the inability to speak/express yourself, either because you do not want to or because someone/something won’t let you. I read almost all the papers that are already posted to see if I can get an idea of what to write about, or what the question is asking. After reading the papers, I still do not have an answer, which (with a little help from Sarah) led me to conclude that the openness/vagueness of the question is silencing me.

 I guess I can relate this predicament to my academic life here at Bryn Mawr. A lot of the times, if not all the time, when there is an assignment, it takes me a while to completely comprehend what is being asked. This makes me think of our last class when we spoke about the different levels of comprehension and “education” in all of my classes. If there were a time where I am silenced in a classroom, it would definitely be when I am being asked to reason or think about something that is fairly foreign to me.

Dan's picture

Mural Arts vs. Street Art

      The more time that passes --- the more time I have to process the "restorative justice" mural tour yesterday, the more problematic I find it... and the mural arts program in general (plus someof the comments made by our tour guide). The question I'm contemplating most now is about the difference between these murals and street art/graffiti. Especially if one (the mural) is combatting/silencing the other.

Hummingbird's picture

Crazy?

Dan's picture

Silence, Air, and Paradoxes

          Although I want to respond to my first web event on active listening, I don’t think I will be able to. I’ve learned so much about communication and how communication is affected by privilege since that reflection that I have to move in another direction.

            This past week in the 360 has been an emotionally charged one – challenging, frustrating, belief shaking. After Tuesday’s class, I felt so confused about my voice, about my place in the world and my privilege that I walked out of class in a daze, and ended up screaming in the woods with Johanna. After Thursday’s class on academia, rationality, and coherence, I was flooded with doubts about how I speak and write. My classes have never left me feeling so vulnerable and uncertain about everything – so I’m in a place of utter confusion.

Sarah's picture

Web Event 2: Representing Uninhibited

One issue I’ve really been struggling with in class is the question of “who is allowed to represent who?”  I contemplated this in my post after reading the article by Dimitriadis in our class on Silence, and during our discussions of Anna Deveare Smith’s acting in our class on Voice.  In jhunter’s reply to my post, she raised some important points about who has the authority to speak for whom, and how characteristics beyond race and culture may impact this authority.  I want to push back on this idea though, and demonstrate why I believe race and culture alone are such important factors.  I want to display this by attempting to represent Uninhibited’s paper, which she titled “I Choose to be Silent You Don’t Make Me Silent”.

            Uninhibited and I grew up in the same town (although she was born in the Dominican Republic).  Though we have never actually discussed how much money our father’s make, I believe we are of a somewhat similar socioeconomic status, at least in simple terms of finances and what is deemed “working class” in America.  Both of us are currently being raised by a single father and both of us have experienced the death of our mother’s.  We met in December of 2008 when we were chosen to be members of Bryn Mawr Posse 9.  We are both interested in social justice issues.   We are close friends.  I believe it is safe to say we have a good amount in common. 

Michaela's picture

Exhausted

Maybe it's because I find myself biting off more than I have before, in activities, projects, and jobs outside the classroom (not more than I can chew, though--once I develop that attitude, I'll be swallowed whole by my own onslaught of thoughts and anxieties). Maybe it's because I've been entirely overwhelmed by this course, especially in the past week and a half or so, with the complexities of silence, voice, vision, intermingling as I try to quiet myself to better listen to others voices and see their points of view--I've been thinking about this Swedish (?) proverb

Uninhibited's picture

Silence is Tradition Voice is Treason

How can you grow as an individual in a family that has defined your role even before you begin to walk? How do you strip yourself of inhibitions because of whom you are told you are or need to be in order to keep the family together?  What do you do when your responsibility to the world, to your family, and to yourself stand in opposition, ready to battle for the crown? My life since coming to the United States has been a constant push and pull between reaching for new opportunities and holding on to traditions. It has been a constant imagining and reimagining of how I can use voice and silence to define who I am in relation to others.

couldntthinkofanoriginalname's picture

Surprisingly Moved by a Human and Not the Arts

The most intriguing part of our Saturday trip was the mural arts tour. A lot of feelings and questions came up for me as we drove from one mural to the other with our tour guide.  I was curious and somewhat taken aback by our tour guide who was also a former teacher in the public education system. If we think in terms of power in our society, his identity as a white male symbolizes the epitome of white privilege and supremacy. So, I was really surprised when he choked up while reading a student-written poem about despair and the harsh impact  inner-city neighborhoods have on the minds and actions of young people. I was touched that he was touched and so, as I tried to play it cool and not tear up from the break in his voice, a streamline of questions popped intomy  mind. Why did he care so much as a white man about students of color and this neighborhood? What reaction was he trying to get out of us? If he cared so much, why wasn't he still teaching? What exaclty moved him about this student's words...voice? Did he see a reflectionof himself? What's his background?

Anne Dalke's picture

Questions, questions...

You'll find here the photos I took during our visit to Eastern State y'day. Very evocative…and troubling.
So much to think through (for me as a Quaker, especially....), about a vision gone wrong in so many ways…

I didn't take any photos during the mural tour, though--in part because I found it hard to see, and assumed I could find better images on-line than I could take from the trolley. But there's lots more I'd like to discuss about that whole experience--from what it means to ride around on a trolley through poor neighborhoods (while being urged to "wave @ everyone!"); through getting off the trolley and viewing murals, while the neighbors are making music across the street; to what it really means to "make art that represents a community."

I'm hoping that Jody, Sarah and Uninhibited will be able tell us something about the process that went into making the mural about women's education, which they helped to create in the first 360°. I attended one of the early concepting sessions; saw Jody, Sarah and Jomaira and Sharaai posed @ work on the front page of the Alumnae Bulletin...

couldntthinkofanoriginalname's picture

Silence: More Malleable Than Evolutionary

 

While brainstorming what to write for this second web event, an image, similar to the way Irene’s bedroom struck me, kept popping up in my head from the mural arts tour in Philly.  It was the mural of the iron butterflies protruding and ascending up the body of an African-American man holding fire in the palm of one of his hands. If I am not mistaken, the mural was created on the back of a men’s shelter that no longer existed and the butterflies symbolized the great changes—the metamorphosis—the sheltered men made in their own lives. I, too, had written about the concept of metamorphosis and had described the role silence had played in my life as an evolution. However, as I began to think more about the nature of the word, metamorphosis, I grew dissatisfied with my word choice in describing the role of silence in my life.

jccohen's picture

Voice paper #1

Assignment #1:

 

 Pose and address a question/dilemma/claim about “voice” and the classroom, or, more broadly, about voice and learning.

 

Consider these questions if/as useful:

How are you understanding/defining “voice”?

What do you see as the promise and/or the challenges of students (and others) finding and using their/our voices in learning?  In schooling?

How do you understand the relationship between “voice” and listening?  voice and dialogue?  What part might performance play?

 

You might want to think about these (and other) questions in terms of gender and/or in terms of learning in particular contexts and spaces (e.g. classrooms, prison, theatre, life).

 

Draw on texts (our shared texts and, if you want, others that are relevant) as well as experiences, again if and as relevant. 

 

Some thoughts about finding your way in/delving into your paper:

jhunter's picture

Colleges, Prisons, and Hospitals: A Semester in Three Walled Communities

“When a woman tells the truth she is creating the possibility for more truth around her.”

                                                                                                                ---Adrienne Rich

 

I live in the walled community of Haverford College but also in a second institution—the hospital.

 

I don’t know why I haven’t spoken of these experiences in class.  Or maybe that’s a lie because I know exactly why.  At any given moment I am either in searing pain, trying to discretely smother the flames burning down my arm, or else I am using all my mental capacity to follow discussion while my brain is hazy from pain medication.

 

Michaela's picture

Web event #2: Can I speak for you? Can I be silent for you?

         I started this class thinking silence was a finite task, one that I would struggle to “complete”, as if that would be even possible. I moved from shallowly thinking it was all about pulling myself out of the noise of modern technology to frustration with the rhetoric of silence as a political statement. Now I’m working more and more toward a knowledge that silence is with me daily, in those ways that I have been wary of, like taking time to be completely silent, but also in what I refrain from saying when I am speaking. Specifically, I have found myself thinking about and responding to Hummingbird’s paper on self-silencing, and our class discussions about who may presume to speak for someone else. Do they have to be of the same background racially? Do their genders (and their perceptions of what that means for their daily life) need to match up? Do they have to be from the same socio-economic class to speak to the privilege or lack thereof that accompanies varied levels of wealth? Can I, as only barely culturally Jewish, even speak to that side of myself as influencing my life? I don’t presume that there will ever be a definitive answer to any of these (although there are definite opinions that I have read and heard expressed, both in class and in readings). I do hope, though, to create a greater understanding of silence as ever-present, especially in my exploration of self-silencing personally in the context of speaking for someone else, as their story may relate to others or me.

HSBurke's picture

Web Event #2: Silenced by a lack of Silence

Webpaper 2

Lately, I’ve left our class with anger nipping at my heels as I trudge back to Denbigh. Thoughts, complaints and unspoken words swirl through my already over-full mind and I just want to scream. But I don’t. Instead, I shut myself in my room and wish I had splurged for that journal I saw in the bookstore a week ago. It seems wrong, but out of desperation and lack of proper medium, I’ve turned to this essay to help me sort out my thoughts regarding my own role in our class, and also the role of silence.

I am exhausted when I leave our class. I feel the weight of my unpacked thoughts making me so heavy. My silence, I will readily admit, is self-imposed, but I won’t take all of the responsibility. I feel silenced because I just need space to think. Such heavy topics deserve a response that has been thought out. But there is no time for silence. For it seems that we would much rather talk about it than observe it.

Uninhibited's picture

Pictures from our Mural Arts Tour yesterday

Chandrea's picture

One Way Conversation or No Conversation At All

For most of my life I was brought up in a household where my father thought he could control us. I stayed pretty quiet when I was younger and followed my mother’s lead. My mom had plenty of opportunities to speak up and say something to him but I believe she stayed silent because she didn’t want to cause any problems. After a long day of work, the last thing she needed was an argument with my father. But as my siblings and I grew older, we also grew tired and angry of having to keep our mouths shut just to make him happy. I don’t even think that I kept my mouth shut because of my dad. I think I did it to make my mom happy.

Looking back at this experience, I see silence as being equal to obedience or even fear. Even if I were walking down the stairs to get out the door to run to the bus stop, my dad would yell at me in Khmer to “keep it down” and point his finger accusingly at me. His booming voice and index finger made me feel so small and helpless. It made me feel like I couldn’t ever do anything right, like I was a disappointment. He wanted me to walk around quietly and conduct myself in an unobtrusive manner, like all the other Asian women he had come across. Even if I were quieter walking down the steps, I knew that if I did what he said then I would be reinforcing his control on the rest of the family. His controlling ways were unbearable and unhealthy for my family and I had to find a way to stop him.

Sharaai's picture

QR codes

Uninhibited's picture

Silent Poem written by our class

To break the silence

is murder! (of sorts) and a thousand liberations- but also

I have no idea what you're talking about

Maybe if we weren't silent, we would understand?

Said the teacher to the class.

Then She looked out the window

Her words brought the class to its full attention, they wondered if they could keep going.

She did.

Hi. What?!

I love sitting in silence with you guys. Love it!

I love sitting in silence, but I did get more and more anxious as the paper moved around

She exuded privilege.

Her language spoke to wealth dating back as far as the eye could see in her lineage.

But what kind of wealth was it? She felt rich of possessions, yet lonely and empty.

I feel a kind of turmoil I cannot clearly articulate or define but the need for expression of this turmoil is so overwhelming

I just want to know what's going to happen next,

but please tell me in silence.

couldntthinkofanoriginalname's picture

Fish Bowl Reflection from My Blog

Hi ladies,

Soon after our fishbowl activity, I expressed my thoughts on my wordpress blog (for those who do not know, I blog for Bryn Mawr). I wanted to invite you all to read this post in hopes that you will express your own sentiments and always be reminded of the special moments we had during that activity.

360 love,

Esty

The link is also here just in case the embedded one does not work:

http://banteremaitre.blogs.brynmawr.edu/2012/09/18/reflection-on-my-stormy-day/