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Walled Women

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Anne Dalke's picture


POST YOUR THOUGHTS HERE

Welcome to the on-line conversation for Women in Walled Communities, a cluster of three courses in a new 360° @ Bryn Mawr College that focuses on the constraints and agency of individual actors in the institutional settings of women's colleges and prisons.

This is an interestingly different kind of place for writing, and may take some getting used to. The first thing to keep in mind is that it's not a site for "formal writing" or "finished thoughts." It's a place for thoughts-in-progress, for what you're thinking (whether you know it or not) on your way to what you think next. Imagine that you're just talking to some people you've met. This is a "conversation" place, a place to find out what you're thinking yourself, and what other people are thinking. The idea here is that your "thoughts in progress" can help others with their thinking, and theirs can help you with yours.

Who are you writing for? Primarily for yourself, and for others in our cluster. But also for the world. This is a "public" forum, so people anywhere on the web might look in. You're writing for yourself, for others in the class, AND for others you might or might not know. So, your thoughts in progress can contribute to the thoughts in progress of LOTS of people. The web is giving increasing reality to the idea that there can actually evolve a world community, and you're part of helping to bring that about. We're glad to have you along, and hope you come to both enjoy and value our shared explorations.  Feel free to comment on any post below, or to POST YOUR THOUGHTS HERE.


Anne Dalke's picture

fundraiser, redux

on friday, sara and i shared an over-the-top experience in our current 360, which led us--curiously, curiously--
back to the fund-raising this group did in November. for the backstory, see Dutch wax fabrics, conceived ecologically....

Anne Dalke's picture

"the right to research"

and on a more philosophical note...

alice lesnick just shared w/ our "internationalizing women's education" group a really wonderful essay
about "the right to research" which is focused on the needs and rights of poor global communities, but
which i think also has tremendous resonance for women inside. sara, it might go on the reading list
for your independent study, and sasha it might also help you w/ that thesis proposal!

Anne Dalke's picture

Preparing for 2/14/14

Attached find two drafts: for our lesson plan and homework handout.
By Thursday, please send suggested changes.

p.s. now I've removed the drafts, attached the edited versions.

Anne Dalke's picture

Our Stories from the River's Side

Happy weekend!

When you all finish typing up your portion of the women's stories about home, please send them to me (by Thursday, not too late...). I'll combine them into a single document with consistent formatting, and Sara will print off copies for y'all to bring in on Friday.

Since all the stories won't have attributions, it's not clear how Jody will create the record, for her "certificate" book, of who has done this work.

Also, one of you suggested that we needed a google doc, so that we can do the second round in this process--make the requested corrections in the women's stories. I have been tearing my hair out for the past hour, creating one, but here it is:

https://docs.google.com/document/d/1MP67sgIs6VVfwV26xKMqZPRvI2LKY_kpSJ2Ri3uiXs0/edit

I've just "shared" it with you all, so you can make the corrections directly on that document, which is the one we'll hand out at the end of the semester.

Thanks in all directions. What a project it is, that we are engaged in here!
Til Monday,
A.

Anne Dalke's picture

Homework Handout for RCF: 2/7/14

NEW HOMEWORK for 2/14/14 meeting of  the Bryn Mawr Book Group

Read to p. 202 of The Glass Castle.
Write 3 pp. describing the kind of education you got outside of school.

This writing assignment steps off from our discussion about how Mom’s philosophy of schooling, in The Glass Castle, is like her philosophy of mothering: in both areas, she thought kids flourished best if they had no rules, no discipline, and lots of freedom….

We want you to think about the relationship between what you learned in school and what you learned outside of it. In giving you this assignment, we’re drawing on a book by Wendy Luttrell called Schoolsmart and Motherwise: Working-Class Women’s Identity and Schooling.  It describes the difference between “book learning” and commonsense knowledge,” and says that  "real intelligence" can be attained outside school, from life experience.

Anne Dalke's picture

Lesson Plan for RCF: 2/7/14

Lesson Plan for Riverside, 2/7/31

I. Sasha:
Welcome! We’ve brought two more students with us…
we want to introduce them. Some of you may be new, too,
and we want to learn your names.

--everyone have a name tag?
--anyone need a copy of The Glass Castle?

Take a moment to find one sentence in The Glass Castle that stood out to you.
Go around, say your name, and read that sentence. Don’t comment on it,

Anne Dalke's picture

"Meetings with a Murderer"

What interests me most, in this opinionate blog, is the final line: "My mother had not been able to figure out how to keep up a correspondence with a man imprisoned for life. Thirty years later, neither could I." See
Saïd Sayrafiezadeh, Meetings with a Murderer. January 29, 2014.

HSBurke's picture

Second half of poetry

While typing up the poetry (what an experience!) I felt compelled to write my own short piece. I'm sure you'll notice my influence: 

While they are locked up I

            Look up

            Type up

            Check up

            Eat up

It is so FUCKED UP

The yellow papers scream

I try to answer back

Flying fingers on white keyboard

The only language I speak. 

NOTE: I fixed some clear typos but mostly left as-is. I was also unsure about one or two of the names. 

Anne Dalke's picture

Lesson Plan for RCF: 1/31/14

I. Anne:
Welcome!
[rest of us welcome late-comers, get chairs, etc.]

Home work was to read Chapter 1 of
Jeannette Walls’ memoir, The Glass Castle.
Read two opening paragraphs aloud together, and then discuss:
What is going on here? What do you see? (ex: “Mom,” not “my mother”)
focus in on p.o.v.—>
can we re-tell this from the mother’s p.o.v.?
what would this story look like then?
what would be brought to the foreground/what pushed to the background?

II. Sasha:
Your writing assignment for today was to do the same
thing Walls did in the opening pages of her memoir--

to write three pages describing your own mother:
what does she look like on the outside?
What does she feel like on the inside?
We asked you to be as concrete and specific as Walls is, in her first chapter…
to think about who is doing the talking: whose voice is speaking?
Or: who are you, looking @ her? What are your surroundings?
And who is she, looking back @ you and talking to you?
What are her surroundings?

Anne Dalke's picture

Barb Toews on “designing justice, designing spaces”

Barb is talking right now about restorative justice on the rise....

some notes made while listening:

The program began by describing the “extraordinary contribution,” of the “amazing” Barb Toews, to work that attends to the relation between environmental design and behavior. Barb kicked off the program by talking about “changing the metaphor” from criminal justice as a “boxing match,” to imagining “restorative justice as a mountain lodge, a room in which you need to face the harm you had caused, and become accountable to victims…” so that in workshops she might ask, “are you sitting in the boxing ring right now? Then go to the ‘do no harm’ room…”

Anne Dalke's picture

planning for spring semester

we'll meet tues, jan. 21, @ 4 p.m. in the english house lounge--
and have to settle then on whether we will be offering classes every friday,
or on alternate weeks (this depends on you, sasha...).

i'm attaching the four handouts i've drafted for our session on jan. 24 --
all to be discussed, of course.

HSBurke's picture

Fundraising possibilities for our book group

So I was remembering back to one of our earlier conversation about how we can carry on our work financially and have money to buy books, transportation, etc. I think Sara brought up the idea of a website like kickstarter or indiegogo. I've looked into both and Indiegogo seems best (kickstarter is mostly for art-related ventures). For fun, I also started the process of creating our page. But as I got further into it and started answering some tougher questions, I realized that this may be better done as a group with all of us providing input. Maybe we can schedule an extra meeting sometime to work on this? I know how important the money part is to us being able to sustain this work, so I'm thinking sooner rather than later.. 

Rather than just updating you on this progress, I also wanted to get everyone's feedback on how me might use something like this internet platform to our advantage. Obviously we could share the link through Facebook and email to our friends, colleagues and family to solicit donations, but what else? 

jccohen's picture

thinking toward rcf spring semester...

sasha, sara, and hayley,


Here are some thoughts about our upcoming semester at rcf:

 

We’ve talked about running the book group (reading and writing group?) every fri., 1-3 pm, from jan. 24 to may 2.  Anne and jody would be there alternate Fridays, and the other Fridays Hayley (if you’re staying with this-?), sara, and sasha would teach the class.  BUT I just realized in an exchange with Anne that if sara takes our 360, you won’t be available on those alternative Fridays either--?  And this might be a reason to get a (strong!) student from Multicultural Ed…

 

Anne Dalke's picture

“Taking Control of Our Lives: Reading, Writing, Transforming”--A Proposal

“Taking Control of Our Lives: Reading, Writing, Transforming”
Proposal for the Bryn Mawr Book Group, Riverside Correctional Facility, Spring 2014

“In Pedagogy of Freedom Freire states, ‘I like being human because I know that . . . my destiny is not given but something that needs to be constructed and for which I must assume responsibility.’ We assume responsibility for our crimes. We believe that we are the products of our decisions and actions, and we recognize ourselves as such. This represents the transformation of the prison system from within….education in prison is the vehicle through which we meditate, analyze, and transform ourselves and, ultimately, society from the inside-out” (from Anke Pinkert and students, “The Transformative Power of Holocaust Education in Prison: A Teacher and Student Account.” Radical Teacher 95, Spring 2013).

In this workshop, we will use reading and writing as pleasurable, necessary and meaningful tools for understanding and change.  We will read different kinds of writing by women, and use our own writing as a tool both for reflecting on the reading and for understanding our own lives. Reading and re-reading, writing and re-writing stories offer the opportunity to work on literacy skills and critical problem solving, and can empower us to reclaim and reimagine ourselves.

Anne Dalke's picture

thinking towards the spring semester...

So, after shouting for months that we should talk about the essays in Radical Teacher, I finally found the time, betwixt semesters, to spend a morning reading through them. Sad, heartening, discouraging, inspirational….I want to include some of my reading notes here, and also some thoughts about next steps. And I want to invite y’all to think w/ me about what our “course” of action might be this spring. I’m ready to be more ambitious!

Anne Dalke's picture

Bilingual Aesthetics, Bilingual Games

Do y'all remember reading, in our course on "The Rhetorics of Silence," Doris Sommer's analysis of Rigoberta Menchu? And her argument that we should be respectful of others' silences, others' secrets, not presume that we have 'the right to know'? I've just found out that, 10 years ago, she published two books about code-switching. Here's a description of the first:

sara.gladwin's picture

excerpt from Adrienne Rich's Twenty-One Love Poems

Posting this today because I still have not found all the right words. I had referenced this poem in an earlier post, but am feeling the need to share the whole piece. I am currently wishing I could read this aloud to our group; I think the only way to translate how I feel when I read this would be to hear it in my voice. More importantly, when I read aloud, I can pretend, for a moment, the words are my own.

IX

Your silence today is a pond where drowned things live
I want to see raised dripping and brought into the sun.
It's not my own face I see there, but other faces,
even your face at another age.
Whatever's lost there is needed by both of us -
a watch of old gold, a water-blurred fever chart,
a key...Even the silt and pebbles of the bottom
deserve their glint of recognition. I fear this silence,
this inarticulate life. I'm waiting
for a wind that will gently open this sheeted water
for once and show me what I can do
for you, who have often made the unnameable
nameable for others, even for me.

jccohen's picture

this speaks to the issue of

inequity at so many levels of the system.  i find the piece disturbing, and am reminded of our (many!) conversations about individual responsibility and institutionalized/systemic issues...

http://www.theatlantic.com/national/archive/2013/12/i-got-myself-arrested-so-i-could-look-inside-the-justice-system/282360/

Anne Dalke's picture

poster presentation

sara.gladwin's picture

"I fear this silence, this inarticulate life"

Adrienne Rich's words on silence are circling around my mind as I try to conceptualize a reflection that could synthesize my feelings about our last class and the rest of the semester.

I keep drafting posts to write back to Anne, Hayley and Sasha, but nothing sounds adequate. I am not ready to collect all of my feelings yet, and I am afraid I will lose something important if I rush to put it all into words so soon.  I am choosing to take my time because I am not ready to let go… by holding silence close, and by prolonging the dissection of feeling into theory and analysis, I can more vividly remember these women, not as research opportunities or as a means to a more elevated understanding of educational theory, but as people who continually broke down the barriers I thought existed around my own capacity to feel.