For me, one of the most impactful parts of the performance was when the reporter arrives at Pennhurst. The lights go out, and the spotlight is on him, casting the long, lone shadow of his standing figure. The lighting pulled all focus to him (and/or the ASL interpreters, who got similar spotlights) helping to ensure that the audience will focus on what he will say. There is no set of Pennhurst, rather the audience is reliant on his description. He starts with one sense, smell, which can’t be reported to others through television. The smell of 80 people in one room, sitting in their own excrement. A smell so powerful that the cameraman begs for them to leave.