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Fact, Fiction, Syllabus
Work |
Author |
Why |
Spook |
Mary Roach |
A fantastic piece of science writing that takes a neutral look at ghosts, the afterlife, and what comes after death; presents evidence and lets the reader decide (print) |
In Cold Blood |
Truman Capote |
“Non-fiction” but widely contested to be less-than-accurate; journalism and its slant; objectivity?... (print) |
F is for Fake |
Orson Welles |
According to UC Berkeley’s Mockumentary page, a film-essay, done in a pseudo-documentary style is a meditation on illusionism, the role of the artist being that of a charlatan-magician—also, Welles’ own interest in editing to fake cinematic space (film)
|
The Hot Zone |
Richard Preston |
Ebola, monkeys, and a storage facility in Virginia; nonfiction, dramatization, reads like a thriller novel (print) |
Faking It: mock-documentary and the subversion of factuality |
Hight and Roscoe |
(Also from UC Berkeley’s page), offers the first major study of mock-documentary. The authors examine the relatively new form along with the association between factual codes and conventions, and the discourses which underpin the genre (print)
|
The Alcoholic |
Ames and Haspiel |
Found an excerpt in The Best American Comics 2010, graphic memoir of an alcoholic failing writer dealing with love, life, and tragedy (print)
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