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Waking

ewippermann's picture

up with the wide
end of an August morning
you turned into the

warm sheet of sun
brushing your cheek --

whatever god is

I found it in your 
flushed breath when with
a close-eyed smile you

folded me into your sleep
and I fell deep in the
glow of your collarbone

a ridge of yellow 
rustling birch a susserous 
that murmured dream

in the amber below
the canopy of your hair --

god it was there.

Comments

ewippermann's picture

edit

god

just waking up to
the wide end
of an August
morning you
stirred turned warm
sheet of sun
brushing
cheek --

whatever god is  
I found it
in your flushed
breath when with
a close-eyed
smile you folded
me into your sleep

I fell deep in
the glow of your
collarbone a 
yellow ridge of
rustling birch a
susserous that
m-murmered dream
nuzzling the amber
hollow below
the canopy of
your hair --

god it was there. 

 

interloper's picture

Hi ewippermann. I really like

Hi ewippermann. I really like the poetry you've posted here so far. 

I never paid much attention to poetry until this past spring, only about half a year ago actually, so I'm still trying to get my mind around it all. I'm still trying to figure out what works for me and what doesn't. And I'm really trying to understand why. I'm still very uncertain about my own writing, and I'm just trying to suss it all out. But I do like your writing and I think maybe I know why:

I'm a photographer/graphic artist. I'm visual by nature and all three of your poems are very visual.  Your vivid descriptions paint clear colorful settings in my mind, complete with texture, temperature, lighting and spatial orientation. The visual descriptions also include elements that bring the other senses into the scene. I can smell the smoke. I can feel the sun. I get an almost tangible backdrop for each story. Each of these stories is in turn rich in warmth (or coolness in venedig, 1986), physical action (or a sense of stillness in the case of Waking), tactile feeling, and ultimately emotion.

As a novice, I feel as though I am still struggling to grasp a lot of the poetry I read, but with your poems I feel as though I can actually feel the scenes you are painting with your words, and therefore experience the emotion you are weaving into each scene.

I think reading and thinking about your contributions here has made me aware that I might do well by trying to use more visual imagery in my own writing. 

Please post more of your work if you can, I enjoy reading it.

-Interloper

jrlewis's picture

I love the way you conflate

I love the way you conflate god with love so seamlessly.  This poem very much reminds me of the work of the Persian poet, Hafiz.  However, unlike my translation, there is a lot of beautiful play with sounds in your poem.  The rhyme of sleep and deep in lines 10 and 11 is pleasant and subtle.  In sixth stanza repetition of the "r" sounds in ridge, rustling, birch, susserous, and murmered is very soothing.  The end rhyme in the last and second to last stanzas ties up the poem nicely. 

ewippermann's picture

Thanks for this, I didn't

Thanks for this, I didn't consciously intend for god to mean love but it does, so now I can title the poem better!

interloper's picture

sound

In addition to what I've said above about the visual strength of your poetry, I also agree with jrlewis that you use sound nicely, and your use of sound, like your use of visual imagery, adds much to the feel of the story inside. For example, smooth sounds in Waking, staccato ones in venedig, 1986.