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sara.gladwin's picture

Welcome Home: The Sounds of Bryn Mawr

Both Sarah and I agreed that we do not have linear thought processes, but in an effort to indulge in divergent thoughts we recorded a very unstructured conversation about our ecological project, which including some of the sounds we have recorded while working together. For our project we both led each other on a blindfold sound tour, and led one another to a place of our choosing while recording. I was torn because I ended up needing to cut at least 20-30 minutes from the conversation because the entire recording was over an hour long and it was just too long to listen to. When I have the opportunity I will upload the rest because I think it is an interesting conversation, but I kept what I thought was the most relevant.

Erin's picture

Looking back before the destination

Can’t believe it’s all over now. I have to say this the best semester for me ever. For the first time, I wish I could stay longer on this train. The three aspects of this course really echo with each and create the optimal learning dimension for me to have the opportunity to explore something I always want to explore more. The discussion and other component of the courses create this 360 frame to examine the topics evolved around voice, silence and vision.

Voice:

et502's picture

Diffracting

I was thinking about my process for the "Teach In" when I read the objectives of this "diffracting" assignment - I think that I was already starting to diffract, trying to understand my process of learning in this class. So, with that as a background, I'll consider the specific areas of review. 

Group work/Participation - I think that I have been very "present" in class. Participation for me, sometimes is just critical thinking and note-taking - I have to wait for a while before I start to see connections in the material. Sometimes, participation meant that I had to work through those connections out loud. I think I was more focused on my own learning in this class than on others' learning, though I did make an effort to ask questions and encourage other people's writing online. Over time, as we got to be more comfortable with one another, I felt that I could be more vulnerable, in some ways - especially during the final teach-in. 

Hummingbird's picture

Video Reflection: "Standing on Walls"

http://www.youtube.com/watch?v=KvwFc-6kWys

When Danielle and I first started envisioning our final project, we were both very drawn to the idea of looking at privilege. Danielle had been thinking about doing a zine on the topic of privilege, but when we discovered our mutual interest in video-making, we thought that might be another way of sharing the thoughts that have come out of our class in an accessible and fun way. We really wanted to look at how Bryn Mawr impacts and is impacted by differences in privilege and one of the places we started our search was the classroom.

In order to avoid stigmatizing a specific professor or set of students, Danielle wrote a script that we used as the basis for our fictional classroom scene. One of the things I’ve really noticed as a result of practicing silence and thinking about how much space my words take up in the classroom – as well as comparing our Bryn Mawr speaking experience with being in the Cannery – was how people’s notice of vocal space (or lack of notice) really impacts the classroom environment.

ekthorp's picture

Our Own Spiral Jetty, Protruding Uncomfortably Into Our Minds

Hey guys,

For my final project I made a Prezzi presentation that will take you on a virtual tour of the Bryn Mawr campus via everyone's observation sites. The tour moves cylclically through campus, beginning on the outer edges of the campus and resolving right in the center. However, feel free to move about it in any directino and order you wish. This is meant to be my personal interpretation of the campus and the semester, but that does not mean you have to limit yourself to my view. 

At each location on the map, I have included one of the images each class memeber used to visualize their sites to the rest of us, as well as two photos I took. One is from very far away from the spot, and the other is much closer. I would sit in each spot until I found a shot I could take that i believed captured an element of this specific location that had previously been unseen. By doing this, I hope I challange your preconcepts of the observations spots we've come to know so well this semester.

Here's the link to the Prezzi. Please view before continuing to read!

http://prezi.com/icqirmisr55c/prezi-5/?auth_key=1aea080f0b2503e21471c3aeaa22e72b078be2f3&kw=view-icqirmisr55c&rc=ref-27566299

et502's picture

Teach In: Blue Mind

For our final teach-in, I played Blue Mind, by Alexi Murdoch. Rather than focussing specifically on the content that interested me in this course, I wanted to demonstrate how my own learning process has developed.

I think the lyrics of this song compliment my personal trajectory  really well. The first stanza is somewhat vague - what does it mean? no time? sleeping? I feel some confusion (though calm) when thinking about these lyrics. At the start of the semester, it seemed as though we were trying out a lot of different things, and just getting immersed in the content. I struggled with that immersion. 

In the second stanza ("go free of time") - This represents the moments in class when I started to let go, let learning happen or not happen. I had to hibernate, gel, that sort of thing - I had to stop trying to control the outcome, something that I am still struggling with. 

The chorus, "slowly slowly I am drifting," keeps coming back to me. In class, I felt as though I was drifting at times, and I could do this either by choice or by need. I want to choose to drift, especially if it's going to happen anyway. This feels a lot like "wandering" to me - 

et502's picture

Field Guides: Wandering and Imaginging

When do you need a guide? When do you guide yourself?

My "guides" are available online in magazine formatting at: http://jil.st/vVZTyB

If you'd like to download some of the images, they are available in this dropbox folder: https://www.dropbox.com/sh/sstmzd4b742lmeg/-Ctwt0BuxR  (it might be easier to view them this way?)

Middle of Nowhere

About the Film
Year Released: 
2012
Running Time: 
97
Documentary/Fiction: 
Fiction
Synopsis: 

What happens when love takes you places you never thought you would go? When her husband, Derek, is sentenced to eight years in a California prison, Ruby drops out of medical school to maintain her marriage and focus on ensuring Derek's survival in his violent new environment. Driven by love, loyalty, and hope, Ruby learns to sustain the shame, separation, guilt, and grief that a prison wife must bear. Her new life challenges her to the very core of her identity, and her turbulent path propels her in new, often frightening directions of self-discovery.

Ava DuVernay’s elegant and emotionally inspiring debut portrays the universal dilemma of how a woman maintains herself as she commits to loving and supporting someone through hardship. Featuring luminous performances by a cast of rising stars led by Emayatzy Corinealdi and Omari Hardwick, Middle of Nowhere infuses gravity and grace into the prison tale and marks the arrival of an important new directorial talent.

-Sundance Institute, 2012

Poster Image: 
Director
Film Director: 
Production Info
Reported or Estimated Budget: 
200,000
Location: 
South-Central Los Angeles
Other Interesting Production Info: 
The films was shot in only nineteen days.
Categories About the Film
Genre: 
drama
romance
Keywords: 
incarceration
urban life
Racial/Ethnic Affiliation: 
African American
Filmmaking Team
Writer's Name: 
Ava DuVernay
Producer: 
Howard Barish, Ava DuVernay, Paul Garnes, Tilane Jones
Cinematographer: 
Bradford Young
Primary Cast: 
David Oyelowo, Omari Hardwick, Lorraine Toussaint, Emayatzy Corinealdi, Maya Gilbert
Exhibition/Distribution Info
Distributor: 
Participant Media
Box Office Earnings: 
$67909
Where to find it/How to get it: 
Not yet released – in festivals or theatres near you!
Festivals/Awards: 

Sundance International Film Festival, 2012: World Premiere (Best Director Award)

Toronto International Film Festival, 2012: International Premiere

Los Angeles Film Festival, 2012

couldntthinkofanoriginalname's picture

Self-Evaluation: An "end" that will surely last a lifetime!

In the beginning of the semester, I think my learning was largely centered on my personal relationships to the themes of each class. For one, my life (for example, silence in my home) was the only platform I had at the time and two, I did not know how to move forward with Silence, Voice and Vision if I did not start with my own experiences. So, when reading through my early work, I notice that a lot of my thoughts focused on the value of personal experiences in the classroom which I mainly wrote about in paper I for Jody. Today, I still see the value--they make us invested in the work we do/each other and I am thankful for the fishbowl activities in Jody’s and Anne’s class that did this--but I now see the dangers of bringing personal experiences to the forefront and relying on them too heavily.

sara.gladwin's picture

A Classroom Without Walls

Joining this class was one of the biggest risks I’ve taken with my education. I was already taking an introductory language course, which required meeting every weekday for class, and I was taking a 360 course cluster that required an intense amount of attention and dedication. I had just come from taking three courses the previous Spring semester because I had been on academic probation upon my return from a required semester away from Bryn Mawr. I had been required to take time off because I was unable to complete several of my courses freshman year. From a very early point in my life, I’ve been identified as notoriously unable to finish everything I touch. From a plate of food, to drawings, conversations, papers- to quote my mother, I’ve never been able to “cross the finish-line.” As I’ve grown in my learning, I’ve come to appreciate some of the ways in which I allow myself room to grow, to add, to change and edit myself. However, adding a fifth course, in addition to my course load and my history seemed ludicrous to most of my friends. I persisted because there was something about the idea that I couldn’t let go of in my head. The reasons I spoke about were because I have many requirements to make up because of time off and because I was very interesting in the course subject. Looking back now though, I think I also took this course because I had something to prove- to my friends, my family and myself. I had to push the limits of my capabilities for once, and stop playing safe cards. I needed to know how far I could go, and if I could go further.

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