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Walled Women

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Anne Dalke's picture


POST YOUR THOUGHTS HERE

Welcome to the on-line conversation for Women in Walled Communities, a cluster of three courses in a new 360° @ Bryn Mawr College that focuses on the constraints and agency of individual actors in the institutional settings of women's colleges and prisons.

This is an interestingly different kind of place for writing, and may take some getting used to. The first thing to keep in mind is that it's not a site for "formal writing" or "finished thoughts." It's a place for thoughts-in-progress, for what you're thinking (whether you know it or not) on your way to what you think next. Imagine that you're just talking to some people you've met. This is a "conversation" place, a place to find out what you're thinking yourself, and what other people are thinking. The idea here is that your "thoughts in progress" can help others with their thinking, and theirs can help you with yours.

Who are you writing for? Primarily for yourself, and for others in our cluster. But also for the world. This is a "public" forum, so people anywhere on the web might look in. You're writing for yourself, for others in the class, AND for others you might or might not know. So, your thoughts in progress can contribute to the thoughts in progress of LOTS of people. The web is giving increasing reality to the idea that there can actually evolve a world community, and you're part of helping to bring that about. We're glad to have you along, and hope you come to both enjoy and value our shared explorations.  Feel free to comment on any post below, or to POST YOUR THOUGHTS HERE.


Anne Dalke's picture

Mid-semester check in about jail (DVR)

Mon, 11/19/2012 - 5:30pm - 7:30pm
Anne Dalke's picture

Vision - The Cannery

Repeats every 7 days until Fri Dec 07 2012 .
Fri, 10/26/2012 - 12:30pm - 3:30pm
Fri, 11/02/2012 - 12:30pm - 3:30pm
Fri, 11/09/2012 - 12:30pm - 3:30pm
Fri, 11/16/2012 - 12:30pm - 3:30pm
Fri, 11/23/2012 - 12:30pm - 3:30pm
Fri, 11/30/2012 - 12:30pm - 3:30pm
Fri, 12/07/2012 - 12:30pm - 3:30pm
Anne Dalke's picture

Vision - Orientation @ The Cannery

Fri, 10/19/2012 - 12:30pm - 3:30pm
Anne Dalke's picture

Breakfast with Rosemarie Garland-Thomson (Campus Center)

Fri, 11/16/2012 - 9:00am - 10:00am
Anne Dalke's picture

Howard Zehr, Whose Voice, Whose Vision? Reflections on Photography and Justice (Dalton 300)

Thu, 11/15/2012 - 7:00pm - 9:30pm
Anne Dalke's picture

Discussion of activism projects (in English House Lecture Hall? w/ pizza?)

Wed, 11/07/2012 - 6:00pm - 7:30pm
jo's picture

Harry Twiggs

I really like Doing Life and find it to be an incredibly moving book. In particular, as I was browsing through it, I was struck by the story of Harry Twiggs, one of the longer sections and very insightful. I was really inspired by Twiggs' story, and how real he was about what he did and how he's dealt with the guilt and consequences. I was also struck by the way his picture parrallels my impression of him as in touch with and at peace with the world. I was also interested by his admitance that part of the reason he was able to turn his life around was because of the system, or at least because of the programs the prison offers. He then went on to say that the root cause of all his struggles was poverty, showing that in fact it is the system that is at fault, but also showing a positive case of reform-type work in prisons.

On an unrelated note, I found it interesting that two different people in the book compared being in prison (for life) to being sucked under by water, having oxygen cut off: Marilyn Dobrolenski (p 89) and Commer Glass (p 103).

Chandrea's picture

Gloria Steinem

Is anyone planning to see Gloria Steinem tomorrow? I really want to see her but I don't want to go alone. I also have no idea where anything is at Haverford. I know Julia's going... if anybody wants to meet up and then head over, do let me know!

I remember first learning about Gloria Steinem in my U.S. History II class (my favorite class during my junior year) and I wanted to brush up on some basic stuff that I thought I should remember about her but didn't (and I admit this is embarrassing and probably a professor's worst nightmare) but I checked out her wiki page and I saw this section and thought it was totally related to today's discussion in Anne's class about inaccessibility in academic writing:

HSBurke's picture

Just sayin'

I noticed today at the end of class that those people who said that we were doing well with silence and respect in our discussion were also the ones who were spoke quite often. I, for one, would have appreciated more gaps, as per Jo's request. 

Uninhibited's picture

Mask

I think that there are very important similarities in the ways in which actors “perform” and the ways in which we “perform.” Rigney’s reading made me think about the various social roles that we play and the ways in which we are liberated or constrained by them.  Which of the roles we play are assigned to us by society and which do we choose. Even in “choosing” social roles how much agency do we really have?  I wrote in my journal about the masks that we wear in order to perform whichever roles we need to perform, and about how some may see wearing those masks as constraining, but that sometimes wearing masks is liberating. I see some asks and “roles” as coping strategies, strategies used mostly by marginalized people to navigate these systems and this society.

Sarah's picture

Masks

Last night I was writing my journal reflection before I did the Rigney reading.  I was struggling with the journal question about wearing a mask because I feel like I have negative connotations with the word "mask", you like are intentionally performing something you are not.  I had read Goffman in my Performance and Self Esem freshmen year, and remembered liking him, so I was surprised when I realized the word "mask" brought about such negative feelings when I was writing my journal.  I think the word "mask" feels accusatory.  In Anne's class, however, when we discussed having "walls", this word did not seem as harsh.  I personally felt walls can be necessary to protect yourself and get through everyday life, and I can see why masks serve the exact same purpose.  

Sarah's picture

Masks

Last night I was writing my journal reflection before I did the Rigney reading.  I was struggling with the journal question about wearing a mask because I feel like I have negative connotations with the word "mask", you like are intentionally performing something you are not.  I had read Goffman in my Performance and Self Esem freshmen year, and remembered liking him, so I was surprised when I realized the word "mask" brought about such negative feelings when I was writing my journal.  I think the word "mask" feels accusatory.  In Anne's class, however, when we discussed having "walls", this word did not seem as harsh.  I personally felt walls can be necessary to protect yourself and get through everyday life, and I can see why masks serve the exact same purpose.  

HSBurke's picture

Would positive change still happen if lifers weren't in for life?

In this week's reading, I was particularly interested in James Taylor's account in Doing Life. In his interview, Taylor expresses his desire for the Parole bill to be passed, which would allow people (presumably lifers) to be judged on a case-by-case basis for release. Taylor says that the bill would "do much to raise the hope level, the desire for betterment, reaching for the future with some hope." While I agree that such a program would encourage inmates to be on their best behavior, I can't help but think that so many of the interviewees attributed the turnarounds they've made to the fact that they were lifers. If that no longer the case, would these people who understood the need to be positive and active as a way to survive the inevitable fact that they would die in prison, still have the same mindset. So then, might such a bill encourage "good behavior" just to get to the light at the end of the tunnel, rather than encouraging true self-growth and betterment? Because Zehr's book revolves solely around lifers, I'm just honestly not sure if these significant turnarounds have been noted in non-lifers. As one of the interviewees said, it's hard to fake remorse. I feel like a program like this may encourage those who really haven't made strides to attempt to fake progress. I do, despite all that I've argued, believe that some people really do change and deserve to be recognized for that. I just have a hard time understanding the possible repercussions of such action. 

Anne Dalke's picture

360-wide Assignment: Activism!

Everyone also has a SECOND POSTING DUE for the whole 360 early next week. Please review the postings everyone did, on returning from fall break, describing the sort of activism that interests you--and then BY TUESDAY @ 5 PLEASE POST AS A COMMENT HERE a description of your current thinking about our final projects for this class.

How have your own thoughts about your project evolved? Do you see your project as standing alone, or as allied w/ others? What independent actions, and what clusters of activism, can you now see emerging among our proposals?

We will meet for pizza from 6-7:30 on Wed, Nov. 7th, in the English House Lecture Hall, to discuss and organize further. Before coming to supper, please also read the second round of comments posted here, and arrive ready to share your thoughts towards next steps.

Michaela's picture

Death Penalty vs. Life Penalty?

I was really struck while reading Doing Life this week, especially Tyrone Werts' assertion that the criminal justice system is something akin to slavery--we can oppose certain elements of it, like the death penalty, as cruel and unusual punishment, but we are complicit in allowing the whole, flawed system to continue. I have always considered myself very against the death penalty, since I think it is entirely inhumane and torturous, as well as hypocritical. An eye for an eye makes the whole world blind, and so on. I'd always just figured that the better alternative was to keep someone imprisoned for a life sentence, where they wouldn't be able to get out and commit another heinous crime, but where they would have a chance to continue their lives and better themselves. Tyrone Werts complicates this for me. Is it really ever okay to lock someone up and throw away the key for the rest of their life? I am still fully against the death penalty, and hope to work to see it repealed in all states across the US, but maybe more attention should also be paid to an anti-life sentence movement--as we have seen, it is an incredibly damaging and often unfair practice, almost as much so as the death penalty is. 

HSBurke's picture

Who has Reading is my Window?

Hi all! I'm wondering who has Reading is my Window and when I cane come get it from you. [: 

Thanks! 

sara.gladwin's picture

3rd ENG webevent: exploring conventional storytelling and interpretation

“In many ways, literary conventions, as well as the conventions of literacy, militate against an understanding of traditional tribal materials. Western technological-industrialized minds cannot adequately interpret tribal materials because they are generally trained to perceive their entire world in ways that are alien to tribal understandings” (Allen 31). This quote is from a reading from another class outside the 360 but I could not help but feel it captured some of my difficultly in reading “I, Rigoberta Menchu.” Paula Gunn Allen (who I extracted the above quote from) wrote an essay asserting that the way white colonial understanding and retelling of Indigenous people’s culture and stories distorts their reality. Allen specifically believes that one of the most important aspects of this distortion is through the particular “plotting” of a retelling. In the English language, we are taught that a story should follow a predictable and linear trajectory. First there is the introduction of characters and a “reader-capturing” conflict that those characters will have to continually work towards absolving. The characters then go through a series of experiences that shape their identity and lead into the final climax of the story; the pivotal moment in which the characters are forced to reconcile with their conflict in an explosive way. After the climax the story winds downward into a satisfying, neat conclusion in which the reader can ultimately extract from a piece of meaning or theme that ties each event together.

Erin's picture

Going back and forth

“Wow, Time Square looks different from what I’ve seen on TV!” I overheard some familiar Chinese talking among crowds of tourists in Time Square as I was running to Penn station to catch a train. Finally, I found my seat. I wondered why that sentence was still stuck in my head. Right, I said exactly same thing three years ago when I finally arrived at that symbolic site.

In just four years, I am doing everything I could never think of before by myself, travelling, dealing with complicated visa issues, negotiating with different people and so on. All the excitement of discovering new things on this continent seems to decline over time because I just have tons of other things to deal with and worried about. I become indifferent for many things which sound so exciting and tempting before. During the time I spend here, I acquire all kinds of new skills not because I am smart but because I have to learn to survive.

So much has changed and so much is about to. I made the decision to come here purely to have opportunities to receive the best high education in the world. At least, that’s my initial attention at that time. The moment I stepped in this continent, the journey full of mixtures of conflicts between of two cultures and assimilations of the two has begun. Some of the conflicts were expected before while some just went beyond my imaginations. Going back and forth between here and home, I am constantly trying to find a spot where I belong.

ishin's picture

WebEvent#3: First time podcast

Because I'm interested in making a series of podcasts for my final activism project, I made a podcast for my final webevent.

Attaching the script may actually be the best because it actually holds more content within it than the podcast itself (there way a lottt of editing involved).

Here's the script:

When I first started off with this podcast, I was going to speak about the difference between the stage directions “pause” and “silence” in the play Wating for Godot, but as you can tell, I had a little trouble trying articulate anything meaningful.

 

I’ve made a couple of recordings and youtube videos in the past, and I want to be able to say that you eventually get used to it—but I can only partially partake in that that claim. 

To be sure, there are a couple of things on that list I’m used to: I’m no longer embarrassed by the way my voice sounds outside my own head, and I’m much more okay with making mistakes on the camera—after all, that’s what editing for.

But without fail, I still fall into the same trap that I think gets a lot of us: the one where you get caught up in each syllable you utter, the amount of air you take in through your lungs, and the weight of each word that leaves your lips.  The trap of being overwhelming self-consciousness about your own vocal speech patterns.

 

See video