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Good to see the Threadgill concept under consideration. A good working model, I think, that acknowledges differences not as a barrier but as a generator. If others find this interesting as well, some other modern musicians to listen to/read from in a similar context are Steve Coleman [here], Vijay Iyer [here or here] , Rudresh Mahanthappa [here], or Steve Lehman [here]. And, of course there is Ornette Coleman (read the Harmolodic Manifesto under discourse here).