Towards Day 16 (Th, 10/30): "Finishing" Americanah
By Anne DalkeOctober 24, 2014 - 10:59

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p. 3
“Some kind of…” I love that she writes colloquially… it’s the ‘kind of’ speech I feel guilty using in academic writing that feels more real to me
“Stupidity is not madness… an apparent deficit…”
p. 4
“You should know…” Followed by person/non-academic statements- the acknowledgement that the personal is crucial to understanding her book
Thinking and feeling are intertwined… to polish an academic paper until it is sterile/free from emotion is to silence/make invisible part of your thought process and therefore to withhold a certain nuance and depth (which is at the heart of the self) from the text and to ignore the way that specific identities impact the meaning conveyed/ intended…
p. 5
After Ifemelu has the traumatizing experience with the tennis coach in Ardmore, she’s left feeling wretched and alone. She experiences all of the symptoms used to describe depression, but she refuses to let the word depression define the state she’s in. It seems that mental health issues are, to her, a reality experienced only by Americans who are too self-obsessed to consider anything but their own lives and feelings. By comparing Ginika’s and Aunty Uju’s responses to depression, I can see that one’s perception of mental health and the importance of the emotional and psychological well-being of individuals is completely socially constructed.
Douglas C. Baynton makes the argument that the disabled identity has been used throughout history to argue both for and against the equality of marginalized groups—disability is either assigned to the marginalized, or the marginalized reject the disabled label in order to justify gains on their part.
One thing that has interested me throughout Americanah is how Ifemelu notices the nuances within American culture that I forget. Such as how so often Americans are uncomfortable talking about or addressing someone's race. I mentioned in class how during one of my volunteer experiences at Bryn Mawr a student said the phrase "I don't see color". It made uncomfortable and in some ways made me think she was different, forgetting that in America and in my schooling I was taught that it was better to not use terms such as "black" or "people of color" because it was depicted as offensive. I wonder how much this has hindered our knowledge of other races? It also makes me question how , what is sometimes deemed as, "political correctness" has actually aided in the ignorance of other cultures.
Around 12:15pm, I walked into the rain and found myself reciting the phrase “love myself, love the process, love myself, love the process…” over and over; delighted that the repetition never failed to carry resonance each time I spoke it. As I walked, I was barely conscious that my feet had a mind and direction of their own. My attention was much more readily consumed in the act of reveling. I couldn’t help but look around and wonder if anyone could notice it; if it was possible for how radically different I felt inwardly to be written on the surface of my body.
And then suddenly I found myself standing under the library staircase, the most immediate refuge from the rain, writing this:
We've just discussed this essay, Freedom from Education, in my prison education group. I thought that this passage was very evocative of the piece we read by Jack Halberstam on 'queer time":
"The education regime's way of seeing the world relies on a view of time as separate from space and as linear and developmental, on a two-dimensional scale. Students who subscribe to this view see themselves as individuals hurtling into a future with posssible trajectories of either going 'up' as a valued graduate toward economic productivity or 'down' as a 'dropout' toward criminality..."
I made my descision to meet under the tree on the hill over the athletic fields because it is my favorite outdoor place on campus. Since I like to do a lot of thinking in, under, or near trees, I felt that this would be a good interactive thinking space to have our class discussion.