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Carefree Play in an Adult World (revision)

Calliope's picture

Last class, we performed skits for the class of what we interpreted as play. In one skit, there were four children who were going to play a make believe game. However, they argued on who got to be who and changed their minds about which character they wanted to be. Similarly, in another skit, there were three children who pretended to Beyoncé, Joan of Arc, and a princess. These make believe games made up most of playing for many children, including me. 

No Room To Fall

starfish's picture

“Is there such a thing as too much freedom in play?” In my essay analyzing Tim Edensor’s and his colleague’s “Playing In Industrial Ruins” from “Urban Wildscapes”, and the student, Free Rein’s, account of her childhood experience of play, the answer I gave to this question was yes.

Play and its effect

sleepy moon's picture

In the essay, “Playing in Industrial Ruins: Interrogating Teleological Understandings of Play in Spaces of Material Alterity and Low Surveillance,” Edensor and three other authors argue that

an attentiveness to playfulness in industrial ruins offers an opportunity to think about the role of ‘wild’ spaces within the contemporary city, and the potential ‘wildness’ present in more managed urban spaces which might offer possibilities for playful transformation (77).

Play Can Be Risky

Iridium's picture

      Henig’s “Taking Play Seriously” assures the main positive effects of play on aspects of neurological growth and physical preparation in response of future but misses to develop deeply on the negative “side effects” of play.

       From dorothy kim’s post on Serendip, her recalls of childhood reflect most parents’ concern- kids get too much time for play. There is also arguments about time dispensed on play that “psychologists complain that overscheduled kids have no time left for the real business of childhood: idle, creative, unstructured free play.”(Henig, 1) However, what parents worry about is not exactly the time amount their kids put into play, but the “direction”, which I refer abstractly, kids are playing towards.

Side Effects

amanda.simone's picture

As a child, “starfish” loved to enact elaborate scenes with the magic of make-believe. She and her playmates would adopt roles, embodying “feuding sorcerers” one day and “magical princesses” the next. Sometimes they were parents and kids, doctors and patients, or even non-human creatures who would travel through galaxies near and far. In her words, imaginative play was “rewarding” and all she needed was “nothing more than my own imagination to carry them out successfully” (starfish). However, as I explored in my previous essay, experts on play contest that imagination is unlimited and independent. Instead, imaginative play is limited to the framework of the society in which children grow up.

Oh, How The Times Haven’t Changed (reup)

AntoniaAC's picture

Eighty-five years ago, Enid Cook walked through the halls of Bryn Mawr creating a legacy with a chance at radical change. Fast forward to the present-- where exactly does Bryn Mawr stand with that notion of inclusion? Has it been affirmed or is it only an ailing hope? Through Anne Dalke’s analysis of the concept of  “slipping” and the work of Grace Pusy and Emma Kioko on the “Black at Bryn Mawr” tour, an initiative to retrace the absence of black history on campus, it becomes apparent that the school has yet to meet its goals as a liberal and progressive institution.