Borders, Deep and Critical Play

I think 17 Border Crossings had the greatest potential for deep play at the end when Pablo was crossing. That moment was not meant to make us laugh, but to have us be internally emotional. Everything else in the play felt more like examples that were humorous critical play. I think a lot of the time critical play leads to deep play and the live creature. The live creature almost seems like the emotional side of critical play, in that the live creature has more to do with being aware about the facts in your surroundings. Then deep play seems like you are more aware through emotions than facts.