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jrlewis's picture

Getting It Less Wrong

Hey now, he had to be aggressive,

always pressing.  For she saw him as her

 

older sister, bearded, holding a gray sieve,

and knowing everything.  She was resisting.

 

He wanted to be pressing towards her;

was there something else he wanted to ask?

 

Always.  He was trying to teach her;

his eyes were quiet and his body was calm.

 

His eyes are grey, brown, green; she sees

and her greenness makes her forget the color

 

of her sister’s eyes.  So she is yielding,

and becoming the student to whom

 

her teacher is true. Where he is close,

to her, oh so close.  Here he is the man

 

whom she is leaning toward, walking toward,

because she wants to be always learning.

 

et502's picture

Who's in charge? (situation is unclear)

Yesterday, the site supervisor was not at Wordsmiths. She had another commitment this entire week, so she’d emailed me and several other interns beforehand to let us know. In the email, Mariah had said that we should use the time-out discipline structure as needed, and had told us to call her if anything went awry.  Since I knew she’d given keys to other people, I assumed she had just included me on this list so that I’d be prepared for the situation.

When I arrived on Wednesday afternoon, there were 2 other interns there. They told me that they had been there on Monday and Tuesday as well. I suggested that we go outside first, since it was nice out; I remember thinking that, when I was there 2 weeks ago, it might have been night to get some of the kids’ energy out before making them sit down and do work. Both interns disagreed with me—they said that the kids had “gotten better” in the past weeks, and they wanted to stick to this routine.

In this situation, I felt that I was more like a “volunteer” than an “intern”—I definitely did not feel that I had the authority to make decisions that would affect the schedule. I wanted to, but deferred to the interns’ decision. However, I think that these other two girls were also unsure of their authority; they didn’t want to deviate from the normal programming, even if it could be a positive experiment. 

blendedlearning's picture

Writing Resources for Students

OERs offer student writers an opportunity to learn from each other in ways that a traditional classroom setting doesn’t always allow. These resources include tutorials, interactive exercises, and examples of peer-reviewed work, and digitized reference guides designed to help students become more effective - and more comfortable - as writers.

Resources covered:
A Writer’s Reference
Perdue University’s Online Writing Lab
Writing Spaces
Classroom Salon

et502's picture

How do you learn?

A few years ago, I signed up to get email updates from Sophia.org, a site that compiles online tutorials and resources for both students and teachers. Today's email: Do you know your learning style? Find out using SOPHIA's learning preference assessment. Take our two-minute adventure and you'll be on your way to making the most of your learning potential.

So of course, I took it. While I think my learning style is slightly more nuanced than their response, it was fun to reflect on the kind of teaching that I respond to.. 

transitfan's picture

field notes exceprts thinking more about classroom management

(College)

Today only 1 student shows up. He was absent last week and is eager for a private lesson to help him catch up. We review and learn to identify scales. Due to lack of time, the other students in the class will not learn this; it's not essential to identify harmonic and melodic minor scales but it's nice. One student who was absent has missed three weeks in a row, she told me in an email she has been off-campus on weekends due to a combination of family emergencies and other commitments. She says she is practicing on her own so next week we'll see. I emailed the choral director to let him know, but he didn't seem upset. I think it was a mistake to schedule Sunday afternoon class, although it sounded like a good idea at the time.

(Fourth Grade)

...I lead a somewhat complex activity in which the students broke into groups of four and “composed” a rhythm of 8 measures in 4/4 time then performed it. Some groups really took it a great level by adding movements to their performances. Overall, there was a huge range in how long it took groups to write. I tried to hurry some groups along, which didn't really work. I didn't have a back-up for when students finished writing. There were a few times I struggled to get their attention. Ms. Presley urged me to be more “alpha” and to be sure to get them quiet rather than trying to talk over them. This also came up during the “performances”; some were not very good listeners.

Laura H's picture

Field Notes 4/17

Field Notes 4/17- Ms. R 11th grade American History, Mr. T 10th grade English


Today in my field placement I noticed the different teaching styles of Ms. R and Mr. T. They are very similar in they way they plan their lessons, because they are based around Tech Prep’s core values (inquiry, research, collaboration, presentation, reflection). The assignments are often very open-ended and push students to think critically and be creative (I could do a whole post about the actual projects themselves). However, it seems my two teachers have approached this type of project-based curriculum in different ways.

Rashaad Ernesto Green

Graduate of Dartmouth College and NYU Graduate Film School, New York native Rashaad Ernesto Green was included on the 2010 edition of Filmmaker Magazine's elite 25 New Faces of Independent Film list as well as indieWIRE's 2009 Ten New Voices in Cinema. He won the 2011 Horizon Award at the National Hispanic Foundation for the Arts. His short films have screened on HBO, BET, at the Sundance Film Festival, and have won accolades at festivals internationally. Green, Rashaad Ernesto. “About the Director.” Mi Alma Films. Accessed November 3 2012. http://www.mialmafilms.com/aboutdirector.html.

Rose Troche

Writer/director Rose Troche grew up in the Midwest suburbs as part of a large Puerto Rican family, which may be related to her knack for ensemble casts. After making short films and videos, she made her feature debut with the romantic comedy Go Fish, which she co-produced and co-wrote with lead actress Guinevere Turner. Shot in 16 mm black-and-white around the Chicago neighborhood of Wicker Park, the film premiered at Sundance and has become something of a lesbian cult hit. In 1998, she directed the British romantic comedy Bedrooms & Hallways about gay men in London. She focused on the heterosexual suburbs her 2001 feature The Safety of Objects, an adaptation of several short stories by A.M. Homes starring Glenn Close and Dermot Mulroney. Moving over to television, she directed an episode of Six Feet Under for HBO. Her latest project is a series about the lesbian community in L.A. called The L Word, which premieres January 2004, on Showtime. (Andrea LeVasseur, All Movie Guide - http://movies.nytimes.com/person/166476/Rose-Troche)

Maryam Keshavarz

Maryam Keshvarz is a New York born Iranian director receiving her MFA in film direction at NYU’s Tisch School of Arts. She has directed four films; the documentary styled Rangeh eshgh (2004), two shorts in 2006, Not For Sale and The Day I Died. Her film Circumstance (2011) won the Audience Award at Sundance. Her newest project is called The Last Harem. http://www.stardustbrands.com/directors/maryam-keshavarz/bio

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