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Week 13--Feminist Drama
In her essay on Emily Dickinson, Adrienne Rich said that "the novel...can be a construct, planned and organized to deal with
human experiences on one level at a time. Poetry is too much rooted in
the unconscious; it presses too close against the barriers of
repression...."
This week and next we turn our attention to a third genre, that of drama. Post here your reactions to The Heidi Chronicles and/or How I Learned to Drive (which we're reading this week) and/or Age of Arousal (which we'll be viewing next week @ the Wilma). I invite especially your thoughts about how theater operates as a critical feminist text or intervention. How does it differ, in its form and in its working, from the novels and poetry we've just been reading?
This week and next we turn our attention to a third genre, that of drama. Post here your reactions to The Heidi Chronicles and/or How I Learned to Drive (which we're reading this week) and/or Age of Arousal (which we'll be viewing next week @ the Wilma). I invite especially your thoughts about how theater operates as a critical feminist text or intervention. How does it differ, in its form and in its working, from the novels and poetry we've just been reading?