What's the norm
By SherrySeptember 22, 2014 - 09:35

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Walking into Camphill, even having been told in detail about the village, its mission, and all that it has to offer, I had no image in my head of what to expect. Perhaps because the concept seemed so intriguing to me, but also partially so concerning, especially in light of discussions about viewing disability as pathology and locking away individuals with disabilities as we lock away our elderly. Though I knew that this was a highly improbable parallel, I couldn’t help but fear, at worst, that these were relatives exiled by families who couldn’t otherwise look after them.
My privilege as an able-bodied person was demonstrated for me through the "Re-Presenting Disability" reading and Riva's commentary on how to get into the right mindset for making portraits of our future friends at Camp Hill. I had not realized that I might, without realizing it, portray my subject with an air of pity rather than as a person. As Garland-Thomson says, "bringing representations of people with disabilities into the public realm via traditional portraiture is an act of sociopolitical integration...as an appropriate member of the public sphere who is worthy of contemplation and commemoration" (24). I wish there were more representations of people who are disabled in popular culture like Rush's.
SOAR duet posted by rb.richx
My immediate reaction to this reading was a positive one. I enjoyed the insight into the logging industry and life in small town america, topics of which I know almost nothing about. The logging industry seems like such an inherently bad thing, but Eli Clare gave me new insight into its complexities. Now I know that the loggers aren’t the bad guys, that the corporations don’t care about their communities or their lives in the long term when logging is no longer a viable livelihood.
Visual images of our bodies immortalize us. They create points of reference that can be used to describe a person to somebody who didn’t know them. Whether is a photo album or a painting in a museum, there is a story behind every image, just waiting to be told. Much of what we know of history today stems from the art that was created centuries ago. By including disabled bodies in art, we are also including them in history.
The fact that no one is doing anything to shut this organization that just happen to have Towson students down is what disgusts me. It's where the line of freedom of speech has to be drawn. I mean the part that really scared me was that fact he has a license to carry a weapon in 32 states and is willing " to do anything to help save someone".He doesn't have recognized club on camous so nothing is being done while he is carrying a gun and beleives that crime is committed by mostly black men. This is how situations like the horrific death of Trayvon Martin happen.
During Riva's powerpoint she mentioned artists who portrayed issues with race, class, age, disability, as well as a size. This really struck me because I rarely hear fatphobia being talked about. I can not distinctly remember the image that she showed but, the concept of including size along with societies categories that other people really resonates with me. I think that within the classroom size discrimination is rarely talked about. The demonized word fat is compared to the words queer and crip. In recent years campaigns like Let's Move led by Michelle Obama have systamically ostracized children of various size. While Fat Acceptence movements (mostly done through social media) are constantly critiqued or ignored.
The recent events at Bryn Mawr have caused me to consider the role exposure plays within the realm of education. Exposure to cultures, values, religious beliefs, political positions, and experiences other than my own. Humans tend to isolate themselves with the familiar, which can affect our access to learning about and understanding people who don’t fit into that category. I realized that although my generation still has a ways to go in terms of seeking out and benefitting from diverse communities, we have far more opportunities to do just that than our parents ever did.