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Rica Dela Cruz's picture

The Geography of Thought- Book Commentary

Whenever someone tries to compare or analyze the underlyingbases for the culture and customs of different races or groups of people, theperson making the comparison or analysis almost always runs the risk of beingcriticized for what appears to be “generalizations” as to why certain groupsbehave, act and think the way they do. It is, therefore, very important for aresearcher doing a study on human behavior, such as a people’s way of thinking,to define at the outset the scope of the study being made and the methodologyto be used.

Shayna or Sheness Israel's picture

Why, I Say, White People Can't Dance (And, Yes, It has to Do with Race/Culture/Rhythm, Appreciation, & Respect)

Introduction

For me, saying white people can't dance has nothing to do with the typical answer that they don't have rhythm. I think the reason for it includes some parts of that, but also something more systemic or structural - race relations and learning cultural contexts.

Dancing is a language (in the way we think of, respond to and through language). Its movements are its words and its grammar is its rhythm. Don't get it twisted; rhythm and grammar are really one in the same. The dictionary defines rhythm as the procedural aspect of a beat or flow.[1] Procedural means the rules and regulations. There are rules and regulations for grammar (i.e. sentences have to have a subject and a verb: She cried.) Again dance is a language—means of expression. It probably is the most articulate form of body language. The analogy I am making here is that the body language we use when talking is also language, but it is what would be comparable to everyday speech. A dance move is comparable to a well-formed speech or lecture. Lastly, a dance performance is comparable to a paper, essay, poem, novel, book, etc.

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