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MC's picture

Week 1 Response

I found that our Thursday in-class group discussions were very interesting, and that the questions were a very intriguing look into our brains. I've realized that I would love to have this discussion again with classmates- not only those who were in my group or in the class, but with others as well. Initially the questions seemed relatively straight-forward, but once we were all sitting down and put thought and effort behind our answers they became signficantly more difficult. All of the questions were very broad, and required more than just a yes or no answer- even, and maybe most especially, the question "Are you a feminist?" Feminism has a complex history of not only different waves, but different circles of thought within those waves that makes it difficult to just say 'yes' or 'no'. Some branches of feminism also have a very uncomfortable history of being exclusionary towards non-white and non-cisfemale women, which adds another layer of complexity to identifying as a feminist. Listening to everyone's reasons behind saying 'yes' or 'no' was very insightful, and I feel could potentially cause someone to rethink their own explanations, and the forces in their lives that made them say 'yes' or 'no'. Attempting to create a definition for feminism, at least in that short amount of time, would have been very difficult, especially since it was so easy to spend a lot of time on the other questions.

Based on some students' comments online, I would be very interested in knowing what their definition of feminism is, or potentially their multitude of definitions.

Critical Feminist Studies 2012 - Web Paper # 4

Welcome to Critical Feminist Studies, a course offered at Bryn Mawr College in Spring 2012. Here you will find the final web events all of the the students pursued individually as they completed their course work.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of a thoughtful conversation about the shape and sound of feminism today?

 

Critical Feminist Studies 2012 - Web Paper # 3

Welcome to Critical Feminist Studies, a course offered at Bryn Mawr College in Spring 2012. Three months into the semester, students are exploring questions that have arisen for them in the course of our discussions of Eugenides' novel Middlesex, Bornstein's Gender Workbook, Kristof and WuDunn's Half the Sky, Query and Funari's Live Nude Girls Unite!, hooks' Feminism is for Everybody, Bannon's The Undefeated, Kimmel's "Masculinity as Homophobia," and Ware's Jimmy Corrigan.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of a thoughtful conversation about the shape and sound of feminism today?

 

Critical Feminist Studies 2012 - Web Papers #1

These are the first webpapers to emerge from Critical Feminist Studies, a course offered at Bryn Mawr College in Spring 2012. One month into the semester, students are writing here about ...

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of a thoughtful conversation about the shape and sound of feminism today?

 

jfwright's picture

The Stories We Tell Ourselves: A Continuation of Web Event #2

http://thestorieswetellourselves.tumblr.com/

This webpaper expands on the children's book I started for web event #2. While this book isn't finished - and isn't meant to be - I sincerely hope you enjoy the work I've put into it! I certainly have been.

Katie Randall's picture

Shifting Standards of Care and Right Relationships

 Back in October I posted a paper on this site exploring the relation between the medicalization of disability (as seen in Eli Claire's Exile & Pride) and the pathologization of transsexuality (as seen in Rachel Ann Heath’s The Praeger Handbook of Transsexuality: Changing Gender to Match Mindset.

(read the full paper here: /exchange/node/11075 )

In The Praeger Handbook of Transsexuality: Changing Gender to Match Mindset a lot of Heath's discussion of the medicalization of disability revolved around the standards of care (SOC), standards written by the World Professional Association for Transgender Health to guide doctors with transsexual patients. The Praeger Handbook was published in 2006 and critiqued the 6th edition of the SOC, published in 2001. It was this critique that I incorporated into my own work.

But right around the same time that I posted my thoughts, something happened that I didn’t know about until later. A new and revised SOC was published.

charlie's picture

The Arc

Although cheesy, the saying “a picture is worth a thousand words” rings true. To express the concept of “right relationships”, I have “curated” an online exhibit of photographs. Although all of the photographs are real, because I have borrowed them from other websites, I have created my own titles for them. Additionally, for some of the photographs, the captions below the titles are not accurate for that specific photograph, but rather are based on the content of the photograph.


Because I am not computer-savvy enough to create a virtual gallery space, I will use my words to help you imagine the exhibition space in which this exhibit would be on display. Imagine a large, open room with light, sandy-colored wood floors and high white walls. There is also an expansive wall of windows allowing for natural sunlight to flood the gallery. The photographs would be 24” by 18” framed inside of a 2” white mat and a 1.5” solid black frame. The titles and captions would be printed on cards and mounted on the wall next to the bottom right-hand corner of the frame.

The Arc

Written on the wall, to be seen as the first thing when entering the exhibit:

jfwright's picture

Activism Begins at Home: A Plenary Resolution Regarding the Admission of Trans Female Applicants to Bryn Mawr College

A few weeks ago, I created a blog post that discussed Bryn Mawr’s policy of case-by-case acceptance of the applications of prospective trans female students for review. Since this post, I have been spurred by the ideas we have discussed regarding creating right relationships: it is not enough to grant rights, which requires one group to assume authority over another, but rather, all groups must be treated respectfully, and with dignity and equality. It is in the spirit of respect, dignity, and equality that I introduce a draft of a Plenary resolution that recommends the unconditional review of applications of prospective trans female students for review by the Office of Admissions.

Kaye's picture

GLSEN Respect Award--Rich Espey HC'87

Haverford's home page features an interview with Rich Espey, who teaches middle school science at the Park School in Baltimore, and recently received the GLSEN Educator of the Year award.  (Rich, who is a gay man and an accomplished playwright, did his senior thesis research in my lab.)  Rich was honored for his work in developing the program, "Putting Gay in a Positive Context," with other teachers at his K-12 school.  They created a superb website of gay resources for teachers, which are organized by age of students, subject, advocacy, and support for teachers. I hope you will check it out!

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