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story telling

cwalker's picture

Evolution of Genres in Latin American Literature: The Birth of the Testimonio (Testimonial Narrative)

Coral A. Walker

April 15, 2011

Evolit

Webpaper #3

 

Evolution of Genres in Latin American Literature:

The Birth of the Testimonio (Testimonial Narrative)

 

kgrass's picture

Finding Meaning in the World Through Tap Dancing

                                          Katie Grassle

Web Paper 3

Finding Meaning in the World Through Tap Dancing

AnnaP's picture

The Role of Humor in Adaptation

In Anne Dalke’s discussion section, we discussed the role of humor in Adaptation and in evolution as a whole. We started off with the idea that maybe Adaptation is telling us that humor is key in evolution because it makes us more resilient. Charlie Kaufman is depicted as anxiety-ridden, miserable, constantly suffering from an existential crisis, and unsuccessful. He is obsessed with creating the perfect movie and drives himself nuts with it. Donald Kaufman is depicted as a much more carefree, fly-by-the-seat-of-his-pants guy, and (ironically?) it is his ridiculous screenplay that is successful. Perhaps it is Donald’s humor that helps him be so much happier and more resilient than his brother.

AnnaP's picture

The Evolution of Storytelling: Comics as a Revolutionary Narrative Form in Scott McCloud’s Understanding Comics

In Anne Dalke’s and Paul Grobstein’s course, “The Story of Evolution and the Evolution of Stories,” we have moved on to talk about the latter half of the course title and we are currently taking a critical look at potential new ways of storytelling such as graphic novels and films. Personally I have become extremely interested in comic books as a new and evolving narrative form, and I am interested in how graphic novels and comics are becoming increasingly recognized in academia. How can the unique form of comics continue to evolve to create space for newer and more exciting ways of storytelling?

AnnaP's picture

Exiled in your hometown

In Professor Dalke’s Thursday discussion section, we explored the idea of solidarity in times of struggle and talked about a lot of different scenarios in which we, like Rambert, might be tempted to leave a difficult situation. The difficulty of being separated from one’s homeland because of a difficult situation, however, seems to be a problem even for the people who remain in Oran, for the place they are staying is not like the one that they knew before The Plague descended upon the city. They are transformed and develop a different relationship to the space they inhabit; the disease fundamentally transforms their relationship to their city.

AnnaP's picture

Random, unpredictable, and inevitable...oh my!

In Anne Dalke’s discussion section, we talked about the last paragraph of The Plague in relation to what we’ve read so far. Many people in the class saw the last sentence as challenging our agency. People seemed troubled by the idea that, no matter what we do, the rats will rise up again – randomly, unpredictably, and inevitably. So what do we do? How do we create things and feel good if we think that no matter what we do, bad things are going to keep happening?

AnnaP's picture

Teaching evolution evolutionarily

In continuing to explore other folks’ papers for The Story of Evolution and the Evolution of Stories, I stumbled across bee27’s webpaper, which (much like my paper) talks about how Darwin’s model of evolution can apply to education. bee27 writes:

“Freire complements Darwin's ideas of breaking free of the educational mold, suggesting a shifted focus to viewing our children as students, and as participants in their own education, and not merely inactive vessels for other people's knowledge. Through On the Origin of the Species, Darwin's radical and therefore extremely significant ideas are like a call to action for science education.”

AnnaP's picture

Educating Evolutionarily

Educating Evolutionarily

The man who has everything figured out is probably a fool. College examinations notwithstanding, it takes a very smart fella to say “I don’t know the answer!”
                    —Attorney Drummond, Inherit the Wind (1955)

AnnaP's picture

Rethinking narrative and non-narrative religious thought

Today in Anne Dalke’s section of discussion, we were talking about religion and how to reconcile foundational, non-narrative stories (like the Book of Genesis) with non-foundational, narrative stories (like perhaps that of evolution). I identify as agnostic and became less and less religious as I grew up, but my mother is a reborn Christian. Whenever anyone in the family was sick or something was wrong, she would tell me to pray before I went to bed. As I got older and questioned God, you would think I would have stopped praying; but I also didn’t want to stop hoping for people’s well-being even though I wasn’t sure there was a god.

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