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Play in the City 2013

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Anne Dalke's picture

POST YOUR THOUGHTS HERE

Welcome to the on-line conversation for Play in the City, an Emily Balch Seminar offered in Fall 2013 @ Bryn Mawr College,  in which we are addressing the question of how we construct, experience, and learn in the act of play. How is play both structured by the environment in which it occurs, and how might it re-structure that space, unsettling and re-drawing the frame in which it is performed?

This is an interestingly different kind of place for writing, and may take some getting used to. The first thing to keep in mind is that it's not a site for "formal writing" or "finished thoughts." It's a place for thoughts-in-progress, for what you're thinking (whether you know it or not) on your way to what you think next. Imagine that you're just talking to some people you've met. This is a "conversation" place, a place to find out what you're thinking yourself, and what other people are thinking. The idea here is that your "thoughts in progress" can help others with their thinking, and theirs can help you with yours.

Who are you writing for? Primarily for yourself, and for others in our course. But also for the world. This is a "public" forum, so people anywhere on the web might look in. You're writing for yourself, for others in the class, AND for others you might or might not know. So, your thoughts in progress can contribute to the thoughts in progress of LOTS of people. The web is giving increasing reality to the idea that there can actually evolve a world community, and you're part of helping to bring that about. We're glad to have you along, and hope you come to both enjoy and value our shared explorations.  Feel free to comment on any post below, or to POST YOUR THOUGHTS HERE

Student 24's picture

Spectacle

I walk downstairs to the washroom in the Free Library in Philadelphia, because I still have a few minutes before the fringe festival performance begins. The washroom is nothing spectacular. There are six or seven stalls on the left-hand side, and a few sinks installed into the wall on the right. There isn't much light because probably this is basement level so the window on the opposite end of the washroom isn't all too effective.

I go into the third stall. There is no latch on the door; instead, the hole where the latch should have been is stuffed with a thick wad of toilet paper. It holds the door closed so I don't mind.

There is a woman in the stall to my left. She is sobbing. I don't know if she is standing or sitting, but she is shuffling her feet nervously. And she is sobbing, mumbling in a panicky voice. I can't understand everything she says because it doesn't seem to all be in English. But I can hear her words – between sharp, ragged breaths – that nobody knows, don't nobody know. Nobody.

And her voice sounds like pain and fear. Airy, high and small. Choking and weary and trembling. Small.

And I can't say anything. I can't ask her what is wrong or if there is any way I can help. There is much more than just the wall of a bathroom stall between us. I leave my stall, walk to the sinks and wash my hands. The woman is still in the stall, crying, speaking to herself as I dry my hands and walk outside. And that is that. I remain simply with the voice and tearful, frightened words of a faceless woman in a stall next to mind.

nightowl's picture

Play in Confines

Since my trip into the city yesterday, I have slightly alerted my image of the city as a trove with treasures waiting to be discovered, to something with more of a reliable infrastructure. This view applies more to cities I am visiting for the first time or as a tourist, rather than being a resident or frequent visitor. Yesterday was my first time in Philadelphia. I have now visited New York, Paris, Salzburg, Toronto, Tokyo, and Philadelphia as a tourist. The last city I went to before Philadelphia was Tokyo. In Tokyo I got lost all the time, and held back tears on station platforms. When I was in Philadelphia I was with a group and could easily point out where we were on a map at all times. Although my Tokyo and Philadelphia experiences are a bit polar in terms of their potential unexpectedness, the mixture of the two recent experiences makes me feel city savvy. Being in Philadelphia was the first time that I was completely relaxed in a city that was not my own, even though it was my first time going there. I now feel like I have personal strategies on how to enjoy a new city. Before I go to a city I search online for things to do and learn my train stops. When I am in the city I do the things I planned and some I did not. I see the tourist sights, go down the main shopping street, I look around, ask people on the street where to go, and go down a couple streets just to see what is there. A bit of what I was expecting to be there and some left to chance.

Frindle's picture

Finding Your Whole Foods

There’s nothing quite like meandering through a city. Not knowing where you’re going to go next, or what you’re going to see. As one of my friends had said only the day before, “It’s all an adventure in guesswork.” And it is. My group wandered around, doing some shopping here, checking out the used bookstore there. Every time I turned my head I saw something different, something exciting: A dog walker, a street blocked off by police cars, an old building next to a shiny new one. A group of forty rollerbladers racing through the streets, the leader yelling “RIGHT TURN RIGHT TURN” and as one the group makes the turn, some slowing down, some going backwards, but all of them making it. Except for one, the man with his head down, the man going to fast to notice anything around him. As he skated ahead, he was being left behind.

I noticed a lot of adults walking the same way the rollerblader skated. I noticed it because I often do the same thing: head down, shoulders slightly hunched, quick steps. It means business, it means stress, it means you have a place to be and you’re going to get there on time and that means no looking around, no small smiles to passerby, no muttered hellos, no noticing anything. No time for anyone.

Muni's picture

Playground city

On saturday’s playful city adventure, my group set out with only a vague plan. We would go to the sculpture garden, then figure out from there what we wanted to do next. On the way to the art museum, we stopped at the Rodin museum’s garden, to check out the sculptures there as well. We spent a little bit of time at each, mostly quiet, pointing out expressions and abnormally large hands. We took some pictures, mine mostly of the fountain, and set off to the other sculpture garden.

pbernal's picture

A city for smiles

Jessica Bernal

ESEM- Play in The City

 

LO

VE

 

Trains were a figment of my imagination. They would only get as real as Thomas and Friends, The Polar Express and only as exciting as the Zorro movies with Antonio Banderas. And now I find myself walking back slowly step by step startled by the roaring sounds of what they call a train.

As much as I try to tell myself that the trains are real and that no, I’m not on the set for the next Back to The Future movie, my feet can’t seem to believe it. I get a little push from everyone around me making his or her way onto the monstrous silver caterpillar. The chilly wind brushes off the nerves away and I embark onto discover what Philadelphia holds.

I take each step as if I were walking in the dark yet my eyes are wide open looking at everyone and everything on the train. The young couple too busy with each other’s faces to notice we’re all staring, the woman reading her book with no attention to her surroundings, and half of the train busy on their phones texting away as if their thumbs were on a marathon. I’m trying to look for a seat but I find myself more interested in the people on the train than the actual empty seat right in front of me. I feel like a kid in the candy store for the first time and I haven’t even arrived to the city yet!

Claire Romaine's picture

Larger than Life

Philadelphia is quite literally larger than life.  All around us on the parkway there were huge, imposing buildings.  They were imposing, intimidating, incriminating halls not because of their size but their age.  Their echoing chambers filled with the history of centuries, telling the stories of the great heroes long past, all bear down on me.  It’s a beautiful and epic place, but the walls themselves seem to demand silence and awe, as if you could somehow destroy the integrity of the place by being anything less than amazed.  The eyes of carvings and statues follow us around the rooms and along the sidewalks.  Their exaggerated size and features look down upon us as if we must feel privileged to walk down the same paths that others once did.  And I do feel awed; I do feel a bit amazed that after all of these years I can be in the same place people once worked and lived hundreds of years ago.  But this is what I mean by larger than life.  Those giant statues?  We can never fill those shoes.

Serendip Visitor's picture

Kinesthetic Dramas

     “The Quiet Volume” was fantastic. It was weird, and a little creepy at times. Going in, I only knew that it was about reading, and that it was very participatory. I loved observing the other people in the library, people without a clue that they were part of the performance. My partner, Taylor, was the only other person “in” on it with me. I was brought back to the same meditative state that I had been in earlier. I was open to the experience, letting the feelings that developed wash over me. At first I was peaceful, but as the play progressed, I became more and more unsettled. The increased tempo of the reading and the surround sound really added to the feeling of the play. I liked the strangeness and how the piece challenged not only my concept of what theater is, but how I read. I think art should make you feel something, and some of that might be uncomfortable. It can be upsetting to question ways we do fundamental tasks like reading, but sometimes it can be good.

natschall's picture

Weddings and Soul


Philadelphia is a very authentic city, from what I’ve seen of it so far. It has the “soul” keeping it alive that Zukin speaks of. When I’m there, I can feel how many people have been there and have loved it. It gives me hope that one day, I’ll be one of them, living in the city and loving it along with all the ghosts of its past. Zukin says that it is these, the ghosts, that make a city a true city. If that is in fact the case, Philadelphia is one of the truest cities I’ve ever run across.

We explored what felt like every inch of the Benjamin Franklin Parkway, and even a bit beyond. For the amount we saw, we came out at the end of the day feeling like we had spent the whole weekend in the city. My favorite site (or sight?) was the Reading Terminal Market. It was full of people, talking loudly to each other, clearly enjoying themselves as they did their shopping in this bustling indoor market. It was almost overwhelming because of how many people were in there, and how full it was. But when I took a minute to breathe (while moving, I didn’t want to stop in the middle of the traffic!) and look around, I got my bearings. And I loved it.

Clairity's picture

Different sides of Philly

Clairity's picture

My first Philly experience

    When I was rambling around in Philadelphia, the city was distant to me. I was just a tourist coming to visit, taking pictures and looking at everything through my fresh new eyes. Our role changes every time we visit a new city. In my hometown, I'm the host welcoming the guests. But here, I'm just a visitor waiting for the city to welcome us.

 We walked slowly towards the Art Museum, trying to catch on with the surroundings. In the opposite, the city residents walked in a much quicker pace. We saw a lot of runners and bikers exercising on the street all day, ranging from students to the old. People took their dogs out for a walk. The owner of a food cart stretched out his head and said hello to us, hoping that we would buy his food.

 We finally reached the museum, with the grand staircases in the front. As we were climbing up the stairs, I heard women shouting and cheering. Soon, a group of young men started racing on the stairs. One of them even took off his shoes and ran in bare feet. I guessed he was the winner at last. They seemed to have a lot of fun in their playing. It was already 11:40 when we reached the top of the stairs. Looking back, the landscape of Philly was right there, as high as I am. I really wanted to go inside the museum or walk around to take a look at the sculptures. But since it's a long way from the library, we had to head back to the Free Library to catch the Quiet Volume Show.

ecohn's picture

The City of Brotherly Love…

     I stepped into the streets, the brisk winds pushing and pulling my hair. Between the cold temperature and the stimuli of the city, I immediately found myself more energized. That was the first thing I noticed when playing in the city.

     The second thing I noticed was how thoroughly play was incorporated into the city of Philadelphia. Although the streets definitely gave off a “city” vibe, play was everywhere. This was not the city experience that I was used to.

     Serendipity was easy to find in the city. My group and I stumbled upon many things that we did not anticipate or choose. The first of these was a park. It seemed simple enough, until we noticed the giant game pieces scattered around. As we entered, we were shocked by a group of people we saw there, one of whom was climbing up a giant “Sorry” piece, and doing a handstand on top of it. It was amazing to see these people, probably in there twenties, being so open, and really “playing” in the city. This also reinforced my agreement with Henig’s assertion of the great importance of play. Seeing these twenty-something year olds playing with open minds made me so happy. I feel like, much of the time, adults lose (or hide) their desire to play. Seeing these adults play was inspirational and comforting. Who said people all had to “grow up” in the same way or at the same time?

playcity23's picture

Jiggly Philly

When momma and I stayed in Philly for Admitted Student Day in April, we were taken aback at how the banking district lived side-by-side with streets that almost looked like a ghetto. I told her I was feeling exceedingly pale and female. However by the end of our trip, we concluded that Philly is what it is and we appreciated it. This opinion has not changed. Whilst playing in it with Ellen and Samantha, I found myself looking for run-down establishments and homeless people near the Rodin Museum, as if the scene is incomplete without them. When we were messing around on the giant monopoly pieces near the municipal building, Sam commented on how the city hall does not fit in with the rest of Philly. I agree with her; its majestic white marble put the surrounding skyscrapers to shame. 

And yet, these observations support the thesis in my previous paper. Philly is a concentration of American culture. This means that the facets of Philly are not supposed to necessarily compliment each other, but only to coexist silently. For example, I told Ellen that I felt like we were in Paris whilst strolling down the parkway. As soon as we stepped off it onto the Free Library Green, we were back in ‘Murica. Not just anywhere in ‘Murica, but in Washington DC. Washington DC likes to use lots of pillars like the ones at the Free Library; methinks it makes the elites feel more powerful. 

mmanzone's picture

Safe

Exploring the city with my little group was awesome and frequently hilarious.  We were in a part of the city I had been to but never really had the chance just to see what there is (growing up in a suburb you go to Philadelphia for a day at the Franklin Institute, not for people-watching outside of a pizzeria).  Walking around the Parkway and Logan Circle with Thea, Agatha, and Phoenix, I realized a lot of the city’s quirks I had never really thought about before.  

Our first stop in Philadelphia was the Rodin sculpture garden where we saw quite a few beautiful pieces of art.  The most striking thing for me, however, was how at home I felt.  Walking around the garden, looking at the sculptures but focusing more on the plants, I remembered going to Longwood Gardens back in my hometown.  I had never really thought I would find something in Philadelphia that reminded me so much of my little town but for the twenty minutes we were in the garden, I was back at home wandering around Longwood.

tomahawk's picture

Segways, Libraries, and Diversity

During the second day of class, the word I chose to describe Mumford’s piece “What is a City?” was “improbable.” Although I liked the concept of a “civic nuclei” (96), in which “social disharmony and conflict [could create] drama” (94), I did not think that such a place could exist. I was aware that many cities have the diversity that allows for “social disharmony.” Yet, I considered it unlikely that people of different ethnicities encounter each other often enough to create it. Instead, I believed that most cities are split into various cultural and/or ethnic neighborhoods, that people are mainly drawn to places that they can personally identify with, and, in consequence, that a whole city could be diverse, but it was not necessarily a melting pot. 

However, all of these beliefs were altered during my first trip to Philadelphia. Now, I do not doubt the actuality of “civic-nuclei.” Instead, I believe that they can exist and, when they do, they are integral parts of a city. 

AnotherAbby's picture

The Philadelphia Experiment

Beginning our trip into the city this week, I wasn’t sure if I would be more or less scared to explore the Philadelphia than I have been to explore DC. The train ride was very different from what I’m used to—people actually came to collect my ticket, and there were no turnstiles in sight. That was the biggest tip-off that I was a stranger in this place.

In some ways, that thought put me at ease more than when I go into DC. I didn’t have to worry about tipping anyone off to my status as a “tourist” by openly checking a map, or taking pictures of a landmark. In DC, I’d feel ashamed doing those things, but here, hell, I’d even go so far as to ask someone for directions if I had to. I could approach Philadelphia with more anonymity and curiosity than I could DC by embracing the fact that it wasn’t “my” city.

Getting off the train, my fears were further alleviated. I’d been to this part of the city before with my family members who live in Philly. I remember sitting on the second floor of Mace’s Crossing—a pub overlooking the Circle—on St. Patrick’s Day three years ago, watching off-duty school buses shuttle drunk twenty-something’s along the pub-crawl route. I felt better. I had some knowledge of the area.

So, feeling less anxious and more empowered, we began our trek through the city. In the true spirit of Serendipity, we wandered with no particular destination in mind, ending up at the Philadelphia Museum of Art. Sadly, just after cresting its famous steps, we had to return to the Free Library in order to attend our section of The Quiet Volume.

Yancy's picture

The first trip


I thought Philadelphia was a modern city with hundreds of high-rise buildings, busy men silently walking in the streets and thick dark clouds. My thoughts are broken when I go up from the Septa station and the first sunlight shines on my hair. Blue sky and clouds are like the Easter egg and its soft white decorative patterns, enwrapping the old but fashionable city.

Samantha Plate's picture

It's All About The Details

Samantha Plate

Play In The City

09/15/2013

It’s All About The Details

            “I can feel the history of the building as I observe the architecture, as I run my fingers along the spines of books that have been read countless times, as I breathe in the smell of ink and paper.” This is what I wrote in my journal just minutes before attending a performance of The Quiet Volume. I also wrote that my goal for this trip was to experience the city in small but meaningful ways. To notice the details.

clarsen's picture

Soul of the cities

    I first visited Philadelphia a few weeks ago with a friend for a quick day in the city with light shopping and Shake Shack.  My first impression was that Philadelphia was simply like a smaller, less crowded, and slightly cleaner New York.  I quickly felt at home there thanks to the familiarity from the similar architecture, known stores, common and slightly disgusting smells, and recognizable street layout.  Visiting for a second time yesterday I noticed much of the same things I had previously; engine oil near parked cars, a subway system nearly identical to that of New York, sidewalks covered in gum, many museums and galleries, and small parks and gardens. 

Mindy Lu's picture

The Start of Something New



Yijing Lu

  While the train was approaching Philadelphia, the old song The Start of Something New was playing in my earphone, and the view of skyscrapers was coming into my eyes. It was my first trip in America for me since I arrived here, which made me extremely excited and curious. And I consider that this trip, as a new beginning, is the key that opens my colorful new life abroad.

  After looking around in a part of the city, I noticed that, unlike my hometown, Philadelphia has its own style which can not be described clearly with single words or phrase. Here comes something new to me I found out when I exploring the city:

 

The Appearance of the Center City

  In my mind, the center of the city should be a business district, which is full of shopping malls and markets of various sorts and is noisy and crowded. However, in the center of Philadelphia, there are libraries, galleries, museums and the Swann Memorial Fountain donated to honor the society’s founder in 1924, which makes the city seems solemn and peaceful and covered with the atmosphere of history and culture.