Travelogue from Inner and Outer Spaces

Jeanne-Rachel Salomon

S C I E N C E & S P I R I T

 

 
 
 

PSYCHOPOMP - June 2004

 

     Flipping through the March/April 2004 issue of the magazine HAWAII, I came upon an article about the artist Herb Kawainui Kane who paints Hawai'ian island history and mythology.  His rendering of the battle at Nu'uanu Pali in 1795, with its depiction of men in the throngs of death, brought back the powerful memory of an experience I had in January of 2000 on the island of O'ahu.
     A native Hawai'ian friend had taken me on a sight-seeing tour. From Honolulu we went to Diamond Head and Eternity Beach, then on to the lava shores at Makapu'u Beach Park with its shallow lava basins and geyser-like blowholes.  On the way over the Ko'olau Mountain Range back to Honolulu, we stopped at Nu'uanu Pali Overlook. This is the place where, in 1795, King Kamehameha the Great defeated O'ahu's forces by pushing the enemy warriors over the cliff (pali) into their death.  The place has a dramatic feel.  It is filled with the violence and the anguish of fighting men.
     At the day's end I went to a restaurant in Waikiki for dinner. I indulged in the pleasure of satisfying the physical needs of my body, while savouring the various sensations of taste, fragrance and colour of the meal's ingredients.  Lost in such earthly delight, I was caught off-guard by a sudden sense of raw existential fear. Before I could even make an attempt to analyze the source of that fear, I was pulled into an event whose cause lay outside of my time and space.
     Somebody grabbed my wrist in a powerful grip. I looked up and there was a young Hawai'ian man, maybe eighteen years old, his eyes filled with the terror of death.  I recognized him as a warrior and, in that same instant, it was as if we had mingled: I felt his fear of impending death as he was clinging to a rock ledge at Nu'uanu cliff.  Enemy warriors were kicking him, trying to push him over into the rocky abyss.
    I experienced his pain and also his horror at the realization that he was about to fall to his death.  He wanted to return to his village and join his family.  He was desperately trying to escape his fate.  He was too young to die, he wanted to live, wanted to go home.  He frantically clung to me.
     I managed to disentangle myself from the man's emotional turmoil and his grasp.  While I tried to calm him down, my shamanic mind analyzed the situation: here was the soul of a Hawai'ian warrior who had died a terrible death in battle but had not managed to reach the other realm.  For two hundred years his soul had been wandering. 
     In shamanic understanding, the soul of a person undergoing a violent death might not realize that its body has died.  Confused and unable to make the transition to the realm of the dead, the soul tries frantically to find its body.  Often, such a desperate attempt of returning to physicality leads to the possession of another person's body.  Based on my shamanic training, I concluded that in the  case at hand psychopomp was required.  Psychopomp is a procedure in which a lost soul is guided from the realm of the living to the realm of the dead.  I consulted with my spiritual teachers to see if I was allowed to perform the work.  They gave me permission. 
 

     I asked the young warrior if he wanted me to take him to his mother and father and to the people of his village.  It was obvious that, since his death at Nu'uanu Pali in 1795, all his loved ones had already gone over to the other side.  In his agitated state, he did not understand and just stared at me.  I took him by his hand and gently pulled him forward, telling him that soon he would be reunited with his mother, his father, his siblings.  When he comprehended the meaning of my words, his eyes widened.  The prospect of finally going home appeared to relax him.  His step became more assertive, and he started talking to me about life in his village.
     While listening to him, I asked my power animals to assist me in the task of taking the young man where he needed to go.  I also called out to the warrior's ancestors to come forward and to receive their son and to welcome him to the other side.  As we approached the threshold between the realm of the living and the realm of the dead, which I, as a living person, can not cross, a stately Hawai'ian woman appeared in the distance.  I sensed her to be the warrior's mother.  There were other people emerging behind her as well, some young, some old.  They all smiled and started waving.  I pointed in their direction, and no sooner had I let go of the young man's hand that he recognized his kin and ran towards them.  I saw them embracing their long lost son.
     That same moment I felt a tap on my left shoulder and heard the words: "Are you alright?"  The question catapulted me back into the reality of the restaurant.  I opened my eyes and felt tears running down my face.  My hands, holding fork and knife respectively, were suspended in mid-air, having abandoned the task of eating.  Only now did my ordinary-reality mind realize that I had been performing a psychopomp in non-ordinary reality.  A bit sheepishly, and most probably unconvincingly, I answered the waitress' question in the affirmative.  I managed to regain my composure and quickly finished my meal.  All the neighbouring tables had been vacated - I hoped it was because of the late hour, not because of me.  Although I had done psychopomp work a couple of times, never had I performed it in public, and certainly not in the midst of a restaurant.

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I walked out into the Hawai'ian night.  The sky was filled with myriads of brilliant stars.  Pausing in admiration of such beauty and mystery, I sent a blessing to the young warrior of Nu'uanu Pali and bade him farewell.  And I thanked my spiritual helpers for their assistance.

Jeanne-Rachel Salomon

June 2004

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