Questions, Intuitions, Revisions: |
Your writing assignment next week will be to tell the story of some aspect of a culture with which you are familiar. Step back from it, "make it strange" and then tell the story--whatever it might look like. Post here a short account of what the longer paper will be talking about....
Looking forward to hearing your tales--
Anne and Paul
I will be writing about the fascinating culture of an African American theater company. I had the privilege of being the business manager for the Oakland Ensemble Theatre in California and it was the best job I've ever had. Theater is indeed a culture of its own. I always felt like I living in a dual-sided world when I was there - there was the business side and then there was the creative side. Words on a page were transformed into multi-dimensional and magical live performances.
Alicia
Interestingly,I am a current or former member of all three of these cultures.I think it's significant for a person to be a part of a culture in order to describe it.An outsider's view can only hold so much weight,I think.
http://www.nytimes.com/2003/11/11/science/11MACH.html
http://www.nytimes.com/2003/11/11/science/11SLEE.html
I was myself struck by an article in that issue called Does Science Matter?, and wrote a response that I'm copying below. Seems to me this bears on some current and upcoming questions:
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Does Science Matter? Refocusing the Question ...
It is appropriate, desirable, and indeed necessary to periodically examine the role that various institutions play in the broader human cultures of which they are a part ... and science in no exception. From this perspective, Science Times of 11 November 2003, and the lead article "Does Science Matter?" by William J. Broad and James Glanz, is very much to be welcomed.
At the same time, it is important to discriminate betweent those aspects of an institution that make it valuably unique in a culture and those that simply reflect the cultural commonalities that exert similar pressures on all cultural institutions. Science is far from the only institution asked by the culture "to resolve social ills". We ask that similarly of other quite different institutions - social, political, economic, and religious - and it is not clear to me that the performance of science in this particular regard is dramatically any worse (or better) than any other institution in our culture. In this regard, I worry that Broad and Glanz (and the Science Times issue as a whole) might mislead readers by posing a set of benchmarks that might appropriately be used for evaluating our culture as a whole but are not appropriate for answering the specific question "Does Science Matter"?
The distinctive role that science has played in our culture, and can if it is valued continue to play, is not to resolve social (or individual) ills but rather to be the embodiment of permanent skepticism, of a persistant doubt about the validity of any given set of understandings reached by whatever means (including those of science itself). It is the insistence on doubting existing understandings, not the wish to eliminate humans ills nor to find "answers", that has always animated science and has always been the source of its power and successes.
Is that persistant skepticism, the perpetual unsettling of existing understandings, good for the culture of which science is a part? For humanity? That remains, of course, to be seen. The by-products of science have certainly contributed to alleviating some social ills but have equally exacerbated or brought into being others. At the same time, a strong argument can be made that, on balance, human cultures (like life itself) depends fundamentally on conceiving challenges, and potential solutions, before they come into being. Doing so is what science is, distinctively, all about.
From this perspective, the fact that "two-thirds of the population believe that alternatives to Darwin's theory of evolution should be taught in public schools" is not an indication that science doesn't "matter" but rather an indication that it does. On a widespread basis, people are being provided with the products of skepticism, with alternative stories that haven't occured to them before and that are potentially relevant to future challenges. And I would argue that this is today occurring with unusual power in an array of areas of unprecedented scope, ranging from cosmological issues to issues of the nature of human life, consciousness, and personal responsbility, to explorations of the place and meaning of humanity in the universe.
The key question, from my perspective, is not "Does Science Matter?" in terms of the standards we apply to all institutions in our culture but rather does science matter in terms of the distinctive role that it has to play in our culture? The answer, it seems to me, is demonstrably yes, and it is becoming even more yes as the decades and centuries go on. The remaining question, one that follows importantly from this, is whether our culture wants science to matter in the distinctive way it can and does. Here, I think, there is greater question, as evidenced by the recent shift in funding patterns from mostly public to mostly private and commercial support of research. I fear this reflects a misguided view of why science matters, one to which the Science Times issue could, however unintentionally, contribute. I hope not, because I suspect strongly that the future of humanity depends on our enthusiam for supporting the kinds of anticipations of change that will not occur without an institution committed to permanent skepticism.
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I'd of course be interested in anyone/everyone else's reactions/perspectives.
The most interesting thing that (for me) came out of our discussion, this morning, of the essays by Silko and Geertz was that her storytelling happened WITHIN a culture: if you weren't a member/didn't share in that culture/didn't already know its stories, you couldn't understand the tales that were being told (for instance: we really couldn't make sense of the one about yashtoah). But the storytelling of anthropologists is intended (as Geertz has said elsewhere), to "make available to us answers that others, guarding other sheep in other valleys, have given, and thus to include them in the consultable record of what man [sic] has said."
But the project of this course is not just telling, but REVISING stories. So: having extended the "consultable record" ...
what do we DO w/ it? If meanings are "inside cultures" (as Silko says) and if the work of anthropologists is to make a study of those meanings, in order that we can make each others' belief systems intelligible to one another (as Geertz says)...THEN what? Where do we go (HOW do we go?) from here? Paul claims, above, that science's distinctive role is that of "permanent skepticism, persistent doubt about the validity of any understanding." How does this insistence on doubt play out against anthropology's attempt to find shared understandings?
I've been struggling with many aspects of Indian culture because I wasn't raised in India, I was raised here in America. I know you're not wondering why I'm not writing a paper on American culture (shame on you! I'm very American as well, hell I am tired of defending my American-ness just cause I'm brown). So my paper is about indian weddings.
To be specific, my paper is about the mendi (dancing) ceremony of Indian weddings. There are things an outsider might notice about the mendi that are strange, but not really strange to Indians. These things include obvious obseravtions like clothes, jewelry, music, and dance. Also, there are hidden events that occur.
Hi, friends. This week we will be reading McDermott and Varenne's essay, "Culture AS Disability" (we've also included in the packet, should you have time and interest, several other pieces by Lawrence Osborne, Susan Sontag and Paul Grobstein, each of which explores an example of the disabling effects of a particular culture). To extend this exploration, post here, please, your initial thoughts, in a few lines, about some of the disabling aspects of the culture you yourself reported on this week.....
you might also find of interest/use a piece just up, in which Varenne himself answers (in the negative) Paul's query, "can there be a culture which does not disable/disadvantage ANYONE in it?" It's called "Extra burdens in the search for new openings: on the inevitability of cultural disabilities." What a delight to have it arrive (serendipitously?) just as we turn to this query ourselves.
I played this link (though I don't think it works as a link here because I don't know how to do that yet) in class for a rather rough, but accurate, insight into what I wrote about.
http://www.kicken.com/funnyfiles2/www.kicken.com-berlusconi.swf
In response to a comment about Silko which I think pertains to McDermott and Varenne, Silko beleives stories reside both indivuals (specifically in the stomach) and culture as a collective whole. It's important not only to distinguish a one culture's story from another's but also differences in individual's stories within that culture's stories.
Another point of relavence: judging other cultures. Right or Wrong? From an anthropological point of view it's wrong. But from a human point of view....We do it very frequently under the guise of human rights.
A quick check-in about my paper on culture. First of all, I did not write about African American theater, instead I wrote about the culture of a women's health clinic that performs abortions as one of its services. Yeah, I know, very different from theater, but my story is about the work that I did for a number of years with a dynamic group of women in California. We have a common belief that a woman has a right to choose an abortion. We believe that it is our job to make sure that this service is safely performed, that it is kept at a reasonable cost that makes it accessible to all women, and that it be kept legal.
Now I know that everyone does not agree with the idea of abortion, but those of us who work for the right's and protection of women's reproductive health issues are committed to this cause. As a matter of fact, one of the disabling aspects of this culture is that there are people in the world who would harm us, even kill us, because they disagree. Our work is indeed "deep play." Did we feel that we had more to lose than we could ever gain? No! Not even the daily threat of harm can stop the movement that we are a part of because we are not willing to go back to the days of "coathangers and backalleys!"
Also, I found an interesting article by poet/writer/naturalist Diane Ackerman with a broader definition of deep play. Check it out via the link below:
Alicia
You'll find in today's (11/23/03) New York Times Magazine a highly relevant and marvelously articulate article by Harriet McBryde Johnson, "The Disability Gulag," which argues that for herself and others w/ severe disabilities, having needs shouldn't mean losing all freedom. She begins not w/ the accomodations needed for own disability, however, but w/ the story of her grandmother's attitude:
" Why does an independent thinker set such store on conventional behavior? Why did she marry a ridiculously steady Presbyterian? I think it's fear. Fear that one day something will go wrong and she, too, will be taken from her family, snatched from the place she has made in the world, robbed of her carefuly constructed self and locked up for life. I know that fear. I share it."
Talk about culture AS disability. And talk about the need for...
change.
The Sunday papers were for me today filled w/ resonances of conversations we've been having in this class. Two were from The Philadelphia Inquirer (11/23/03); the first of these was Karen Heller's column on "Ostrich Intellects"--a reminder of what seems to me a keynote of this course (sounded in the fairy tale section, again in "tacit knowing," now again as we ask you to explore and interrogate a culture you know): the need to claim what it is we know experientially, through our own experience, rather than relying on others' accounts. Heller says
"The serious scholar turns to the great philsophers, leaders and artists for illumination and personal interpretation rather than relying on the distillation of their work by others. She knows that primary sources are the cornerstone of a classical education. The same can be said of a full and thoughtful life, that a rich existence depends on knowwledge attained as close to firsthand as possible. We are witnessing the death of primary experiences."
The last article in today's Inquirer (11/23/03) which put me in mind of our conversations here is an account of Princeton students traveling to New Jersey State Prison to engage in chess matches with inmates there:
"Many inmates say they enjoy chess because it is a metaphor for real-life situations where they often were unable to come out on top. 'If you make one wrong move, you are at a disadvantage, and sometimes you can't recover. . . . That's chess, and that's the way it really is.'"
In trying to think of alternatives to this sort of "deep play," where there's no "back-up," no "way out," I was reminded of all the discussion in the Working Group on Emergent Systems about "distributed systems," complex networks of interaction in which there is ALWAYS a back-up, always an alternative, always...
another way to go. My query now: might such a system mitigate "deep play"--that is, avoid the sort of "check-mate" from which you can't recover?
I was telling the McBrides, yesterday, about a faculty discussion which seemed very relevant to our on-going discussion in this class about what it means to "think." See both Sentiment vs. Statistics for an account of the conversation and relation between narrative and numbers, redux for an account of my thinking thereafter.
Enjoy the break from thinking that this week will provide...
see you guys thereafter--
Anne
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